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Reading Hollywood

Spaces and Meanings in American Film

by Deborah Thomas

Type
Studies
Subject
Theory
Keywords
narrative analysis, Hollywood, genre, perception
Publishing date
2001
Publisher
Wallflower Press
Collection
Short Cuts
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 144 pages
5 x 8 inches (13 x 20 cm)
ISBN-10
ISBN-13
1-903364-01-9
978-1-903364-01-7
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Book Presentation:
This book examines the treatment of space and narrative in a selection of classic films including My Darling Clementine, It's a Wonderful Life, and Vertigo. Deborah Thomas employs a variety of arguments in exploring the reading of space and its meaning in Hollywood cinema and film generally. Topics covered include the importance of space in defining genre (such as the necessity of an urban landscape for a gangster film to be a gangster film); the ambiguity of offscreen space and spectatorship (how an audience reads an unseen but inferred setting), and the use of spatially disruptive cinematic techniques such as flashback to construct meaning.

About the Author:
Deborah Thomas is reader in film studies at the University of Sunderland, UK and a member of the editorial board of Movie.

See the publisher website: Wallflower Press

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