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Sujet : Theory

The Image and the Witness

Trauma, Memory, and Visual Culture

Sous la direction de Frances Guerin et Roger Hallas

Type
Essays
Sujet
Theory
Mots Clés
philosophy, memory, trauma
Année d'édition
2007
Editeur
Wallflower Press
Collection
Nonfictions
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Hardcover • 224 pages
6 x 9 inches (15.5 x 23 cm)
ISBN
978-1-905674-20-6
Appréciation
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Description de l'ouvrage:
The Image and the Witness: Trauma, Memory and Visual Culture is a timely interdisciplinary collection of original essays concerning the ethical stakes of the image in our visually-saturated age. It explores the role of the material image in bearing witness to historical events and the visual representation of witnesses to collective trauma. In arguing for the agency of the image, this unique collection debates post-traumatic memory, documentary ethics, embodied vision, and the recycling of images. It discusses works by Chris Marker, Errol Morris, Derek Jarman, Doris Salcedo, Gerhard Richter, and Boris Mikhailov, along with images from popular culture, including websites and home movies.

À propos des auteurs :
Frances Guerin is a lecturer in film studies at the University of Kent. She is the author of A Culture of Light-Cinema and Technology in 1920s Germany.Roger Hallas is assistant professor of English at Syracuse University.

Voir le site internet de l'éditeur Wallflower Press

> Des mêmes auteurs :

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A Culture Of Light:Cinema And Technology In 1920s Germany

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Cinema And Technology In 1920s Germany

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