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The Cinema of the Dardenne Brothers

Responsible Realism

by Philip Mosley

Type
Studies
Subject
DirectorDardenne Brothers
Keywords
Dardenne Brothers
Publishing date
2013
Publisher
Wallflower Press
Collection
Directors' Cuts
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover • 256 pages
6 ¼ x 9 ¼ inches (16 x 23.5 cm)
ISBN
978-0-231-16328-6
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Book Presentation:
The brothers Jean-Pierre and Luc Dardenne have established an international reputation for their emotionally powerful realist cinema. Inspired by their home turf of Liège-Seraing, a former industrial hub of French-speaking southern Belgium, they have crafted a series of fiction films that blends acute observation of life on the social margins with moral fables for the postmodern age. This volume analyses the brothers' career from their leftist video documentaries of the 1970s and 1980s through their debut as directors of fiction films in the late 1980s and early 1990s to their six major achievements from The Promise (1996) to The Kid with a Bike (2011), an oeuvre that includes two Golden Palms at the Cannes film festival, for Rosetta (1999) and The Child (2005). It argues that the ethical dimension of the Dardennes' work complements rather than precludes their sustained expression of a fundamental political sensibility.

About the Author:
Philip Mosley is professor of English and comparative literature at the Pennsylvania State University. He is the author of many works, including Split Screen: Belgian Cinema and Cultural Identity (2001) and a translation from French of The Book of the Snow by François Jacqmin, which was shortlisted for the 2011 Griffin Poetry Prize.

Press Reviews:
A brilliant account of the Dardenne brothers' cinema... their politically engaged social realism and concern with the pauperized victims of global capital are beautifully complemented by the precise lucidity of the author's prose, the nuance of his textual analysis, and his provocative but non-dogmatic social theory. David James, University of Southern California

An excellent introduction to the Dardenne brothers' films but also a lucid exposition of the historical and intellectual frameworks in which their social realism can be evaluated. This volume also explains how their filmmaking can be understood in terms of major contemporary philosophical currents. Felix Thompson, University of Derby, UK

A comprehensive overview. Melina Gils, Film Quarterly

See the publisher website: Wallflower Press

See the complete filmography of Dardenne Brothers on the website: IMDB ...

> From the same author:

Split Screen:Belgian Cinema and Cultural Identity

Split Screen (2000)

Belgian Cinema and Cultural Identity

by Philip Mosley

Subject: Countries > Belgium

> On a related topic:

The Dardenne Brothers' Cinematic Parables:Integrating Theology, Philosophy, and Film

The Dardenne Brothers' Cinematic Parables (2024)

Integrating Theology, Philosophy, and Film

by Joel Mayward

Subject: Director > Dardenne Brothers

Miraculous Realism:The French-Walloon Cinéma du Nord

Miraculous Realism (2021)

The French-Walloon Cinéma du Nord

by Niels Niessen

Subject: Countries > Belgium

Performing Ethics Through Film Style:Levinas with the Dardenne Brothers, Barbet Schroeder and Paul Schrader

Performing Ethics Through Film Style (2019)

Levinas with the Dardenne Brothers, Barbet Schroeder and Paul Schrader

by Edward Lamberti

Subject: Theory

Five Directors:Auteurism from Assayas to Ozon

Five Directors (2011)

Auteurism from Assayas to Ozon

Dir. Kate Ince

Subject: Countries > France

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