Storytelling in World Cinemas
Contexts
de Lina Khatib
Moyenne des votes :
0 | vote | ![]() |
0 | vote | ![]() |
0 | vote | ![]() |
0 | vote | ![]() |
Votre vote : -
Description de l'ouvrage:
Storytelling in World Cinemas, Vol. 2: Contexts addresses the questions of what and why particular stories are told in films around the world, both in terms of the forms of storytelling used, and of the political, religious, historical, and social contexts informing cinematic storytelling. Drawing on films from all five continents, the book approaches storytelling from a cultural/historical multidisciplinary perspective, focusing on the influence of cultural politics, postcolonialism, women's social and cultural positions, and religious contexts on film stories. Like its sister volume, Storytelling in World Cinemas, Vol. 1: Forms, this book is an innovative addition to the academic study of world cinemas.
À propos de l'auteur :
Lina Khatib leads the Program on Arab Reform and Democracy at Stanford University's Freeman Spogli Institute for International Studies. She is the author of Filming the Modern Middle East: Politics in the Cinemas of Hollywood and the Arab World (2006) and Lebanese Cinema: Imagining the Civil War and Beyond (2008).
Revue de Presse:
Superb essays that should enlighten both the common reader and the film critic. The European Legacy
Voir le site internet de l'éditeur Wallflower Press
> Livres ayant un titre identique ou proche :
> Du même auteur :
> Sur un thème proche :
Culture Meets Culture in the Movies (2001)
An Analysis East, West, North and South, with Filmographies
Sujet : Sociology
Locating World Cinema (2020)
Interpretations of Film as Culture
Cinema at the Periphery (2010)
Dir. Dina Iordanova, David Martin-Jones et Belén Vidal
Is It French? Popular Postnational Screen Fiction from France (2024)
Dir. Mary Harrod et Raphaëlle Moine
Sujet : Sociology