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Claude Chabrol's Aesthetics of Opacity

by Catherine Dousteyssier-Khoze

Type
Studies
Subject
DirectorClaude Chabrol
Keywords
Claude Chabrol, director, France
Publishing date
2017
Publisher
Edinburgh University Press
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover • 200 pages
6 x 9 ¼ inches (15.5 x 23.5 cm)
ISBN
978-0-7486-9260-6
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Book Presentation:
The first critical appraisal of Chabrol's œuvre as a whole (from 1958 to 2009)

Claude Chabrol's cinema is generally associated with a specific type of psychological thriller, one set in the French provinces and fascinated with murder, incest, fragmented families, unstable spaces and inscrutable female characters. But Chabrol's films are both deceptively accessible and deeply reflexive, and in this innovative reappraisal of his filmography Catherine Dousteyssier-Khoze explores the Chabrol who was influenced by Balzac, Magritte and Stanley Kubrick. Bringing to the fore Chabrol’s ‘aesthetic of opacity’, the book deconstructs the apparent clarity and comfort of his chosen genre, encouraging the viewer to reflect on the relationship between illusion and reality, and the status of the film image itself.

Key features
• Uncovers new influences on Chabrol, including Balzac, Magritte and Kubrick
• Offers original insights into Chabrol’s most famous film, Le Boucher
• Analyses some of Chabrol’s latest, little studied films (La Fleur du mal, La Demoiselle d’honneur, La Fille coupée en deux and Bellamy)
• Engages with Foucault’s concept of heterotopia and Deleuze's ‘crystal-image’
• Surveys Chabrol’s influence and legacy on the contemporary French thriller

About the Author:
Catherine Dousteyssier-Khoze is Reader in French at Durham University. She specializes in (19th-century) French literature and French film. She is also the author of a début novel, La logique de l’amanite (Grasset, 2015).

Press Reviews:
Seven years after his death, this is a timely appraisal of Chabrol’s work. Dousteyssier-Khoze shows how Chabrol is more indebted to Balzac than we may have thought. She deftly navigates his serial killers, and shows how Deleuze’s crystal-image and Foucault’s heterotopia can illuminate Chabrol’s manipulation of space and time.– Professor Phil Powrie, University of Surrey

See the publisher website: Edinburgh University Press

See the complete filmography of Claude Chabrol on the website: IMDB ...

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