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Vampires in Silent Cinema

by Gary D. Rhodes

Type
Studies
Subject
Silent Cinema
Keywords
vampire, silent cinema, fantasy
Publishing date
2024 (January 12, 2024)
Publisher
Edinburgh University Press
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover • 232 pages
6 x 9 ¼ inches (15.5 x 23.5 cm)
ISBN
978-1-3995-2574-9
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Book Presentation:
One of the first academic books devoted to vampires in silent cinema
• Explores vampires in all of their cinematic forms and metaphors, ranging from the supernatural to the natural, as in the case of "vampire thieves" and "vampire criminals"
• Covers the subject globally, exploring vampires as depicted in various national cinemas
• Opens new vistas of discovery in vampire and horror studies, connecting the silent films under review with earlier vampire folklore, literature, and theater
• Provides new approaches to Nosferatu (1922) and London after Midnight (1927), the two films covered in the book that have been discussed at length by prior scholars
• Features images from forgotten films not published or seen in over a century

Despite the enormous cultural impact of Nosferatu (1922) on modern entertainment, the history of vampires in silent film is largely unknown.

Vampires in Silent Cinema covers the subject from 1896-1931, reclaiming a large array of forgotten films from countries ranging from the United States and France to Hungary and Russia. Drawing on thousands of primary sources, Rhodes explores vampirism in all of its manifestations, from the supernatural undead to the natural vamp.

About the Author:
Gary D. Rhodes is Professor of Media, Oklahoma Baptist University. He is the author of Emerald Illusions: The Irish in Early American Cinema (2012), The Perils of Moviegoing in America (2012), and The Birth of the American Horror Film (2018). He is a founding editor of Horror Studies: An Interdisciplinary Journal. Rhodes is also the writer-director of the documentary films Lugosi: Hollywood's Dracula (1997) and Banned in Oklahoma (2004).

Press Reviews:
Rhodes' book is full of original information, presented affably. It entertains as well as informs. It moves through the 18th through 21st centuries, providing a history of vampire culture, and how it was presented through press, books, the stage and screen.– Doug Gibson, Plan 9 Crunch

Vampires in Silent Cinema is an invaluable resource for aficionados and scholars of early cinema. Rhodes' extensive research leaves no stone unturned and has shed light on many mysteries and misconceptions around the birth of the vampire genre. It is among the most illuminating and original books on vampires in recent memory.
– Robert Eggers, Director of The Witch and Nosferatu

At last, an account of the vampire in silent cinema that is fully researched! From Theda Bara’s sexy "vamp"; Musidora’ s criminal Irma Vep; a lost Hungarian film; through to Murnau’s Nosferatu and the lead-up to Lugosi’s "talkie," Rhodes combines the enthusiasm of a fan with the care of a scholar.
– Tom Gunning, University of Chicago

Gary D. Rhodes has done his due diligence as a researcher and is set on doing some scholarly house-cleaning, devoting his first chapter to righting the historical record. Should you be a detail-oriented fan consumed by the trials, tribulations, and transformations of the undead — a term the good professor spends some time unpacking — Vampires in Silent Cinema comes recommended.– Mario Naves, The New York Sun

Gary D. Rhodes’ work is a carefully detailed account of the vampire archetype’s journey from literary and folkloric origins to the silent screen, which explains how early visual narratives enriched the vampire’s complex and uncanny character.– Dávid Szőke, Film International

See the publisher website: Edinburgh University Press

> From the same author:

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Subject: Actor > Bela Lugosi

Horror at the Drive-In:Essays in Popular Americana

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Essays in Popular Americana

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Subject: Genre > Horror

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Subject: Director > Stanley Kubrick

White Zombie:Anatomy of a Horror Film

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Subject: One Film > White Zombie

Docufictions:Essays on the Intersection of Documentary and Fictional Filmmaking

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Essays on the Intersection of Documentary and Fictional Filmmaking

Dir. Gary D. Rhodes and John Parris Springer

Subject: Genre > Documentary

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