Norwegian Nightmares
The Horror Cinema of a Nordic Country
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Description de l'ouvrage:
Offers the first book-length study of Norwegian horror cinema
Since the early 2000s, Norway has produced a regular stream of horror cinema including Cold Prey, Troll Hunter, Thelma and The Innocents. Norwegian Nightmares investigates the origins of this horror wave and charts its unique characteristics in relation to the chiefly American influences that inspired it. Norwegian nature and wilderness, in particular an obsession with dark and deadly water, give shape and national identity to Norway’s tradition of horror cinema. Andresen studies the cinematic journey to the dark side of a wealthy, ostensibly peaceful and harmonious social democracy on the fringes of the Arctic.
Case studies include:
• Dark Woods and Dark Woods 2 (Pål Øie, 2003 and 2015)
• Cold Prey trilogy (Roar Uthaug et al, 2006-2010)
• Next Door and The Monitor (Pål Sletaune, 2005 and 2011)
• Thelma (Joachim Trier, 2017)
• The Innocents (Eskil Vogt, 2021)
• Troll Hunter (André Øvredal, 2010)
• Ragnarok (Mikkel Sandemose, 2013)
• Lake of Death (Nini Bull Robsahm, 2019)
À propos de l'auteur :
Christer Bakke Andresen is Associate Professor of Film Studies at the Norwegian University of Science and Technology. He wrote his PhD thesis on the emergence and hallmarks of the horror cinema of Norway in the post-2000 era. Andresen’s research interests include genre cinema, the aesthetics of horror, the concept of style in film and series, and the spectator’s emotional engagement with fiction.
Revue de Presse:
Norway. A fabled land of natural beauty and easy affluence… and, for the past two decades, a hotbed of cinematic horror. In this informative and thought-provoking book, Christer Bakke Andresen deftly explains how and why Norwegian cinematic nature suddenly burst alive with zombies, giant trolls, and deranged killers.– Mathias Clasen, Aarhus University
Norwegian Nightmares offers a compelling account of a distinctive Norwegian take on cinematic horror. Norwegian nature and the decline of the welfare state are central to the fine-grained picture Andresen paints of this thriving genre. Any reader with an interest in Nordic Noir will want to read this truly intriguing book.– Mette Hjort, University of Lincoln
Voir le site internet de l'éditeur Edinburgh University Press
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