Books in French are on www.livres-cinema.info
On a related topic:
The Afterlives of Kathleen Collins (2021)
A Black Woman Filmmaker's Search for New Life
Subject: Director > Kathleen Collins
Ida Lupino, Forgotten Auteur (2024)
From Film Noir to the Director's Chair
Subject: Director > Ida Lupino
The Cinema of Stephanie Rothman (2022)
Radical Acts in Filmmaking
by Alicia Kozma
Subject: Director > Stephanie Rothman
The Cinema of Mia Hansen-Løve (2021)
Candour and Vulnerability
by Kate Ince
Subject: Director > Mia Hansen-Løve
The Cinema of Marguerite Duras (2019)
Multisensoriality and Female Subjectivity
Subject: Director > Marguerite Duras
Ida Lupino, Director (2017)
Her Art and Resilience in Times of Transition
by Therese Grisham and Julie Grossman
Subject: Director > Ida Lupino
Kathleen Collins
The Black Essai Film
(0 vote)Average rating:
| 0 | rating |  = We can do without |
| 0 | rating |  = Good book |
| 0 | rating |  = Excellent book |
| 0 | rating |  = Unique / a reference |
Your rating: -
Book Presentation:
Explores the New York Black Independent Film movement in the context of Kathleen Collins’s work as a philosopher filmmaker
• Analyses Collins's films as the site of a convergence of ideas on philosophy, otherness, art, aesthetics and the craft of filmmaking
• Provides contexts for Collins's use of African American folklore and oral culture in her films
• Examines Collins's influence on African American woman filmmakers
A philosopher-filmmaker, Kathleen Collins decisively redefined the parameters of African American film with The Cruz Brothers and Miss Malloy (1980) and Losing Ground (1982). This book uses detailed analyses of Collins’s films to contextualise her work in the African American, feminist and world film traditions, and it highlights her contribution to each of these canons.
Exploring the philosophical aspects of Collins’s films and placing her in a genealogy of African American auteurs, Geetha Ramanathan argues that Collins uses film to integrate diverse elements of African American culture, showing how the medium can transform the visual and become a site of convergence for ideas on philosophy, otherness, art, aesthetics and the craft of filmmaking.
About the Author:
Geetha Ramanathan is Professor of Comparative Literature at West Chester University where she teaches Comparative Literature, film and Women’s Studies (including Feminist Film and African American Film). Her interests include modernist, feminist and third world literature.
Press Reviews:
In her fascinating and important book, Geetha Ramanathan gives the films of Kathleen Collins the astute and attentive analysis they deserve, usefully placing them in the context of Collins’ wide aesthetic and philosophical interests as well as her plays and stories. This welcome study makes a crucial contribution to Collins’ recent return to both film history and African American culture.
– Professor Laura Mulvey, Birkbeck University of London
See the publisher website: Edinburgh University Press
See the complete filmography of Kathleen Collins on the website: IMDB ...
> From the same author:
Back
