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European Cinema
Face to Face with Hollywood
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Book Presentation:
In the face of renewed competition from Hollywood since the early 1980s and the challenges posed to Europe’s national cinemas by the fall of the Wall in 1989, independent filmmaking in Europe has begun to re-invent itself. European Cinema: Face to Face with Hollywood re-assesses the different debates and presents a broader framework for understanding the forces at work since the 1960s. These include the interface of “world cinema” and the rise of Asian cinemas, the importance of the international film festival circuit, the role of television, as well as the changing aesthetics of auteur cinema. New audiences have different allegiances, and new technologies enable networks to reshape identities, but European cinema still has an important function in setting critical and creative agendas, even as its economic and institutional bases are in transition.
About the Author:
Thomas Elsaesser (1943-2019) was Professor of Film and Television Studies in the Department of Art and Culture at the University of Amsterdam.
See the publisher website: Amsterdam University Press
> From the same author:
The Mind-Game Film (2021)
Distributed Agency, Time Travel, and Productive Pathology
European Cinema and Continental Philosophy (2018)
Film As Thought Experiment
Film Theory (2015)
An Introduction through the Senses
by Thomas Elsaesser and Malte Hagener
Subject: Theory
The Last Great American Picture Show (2004)
New Hollywood Cinema in the 1970s
Dir. Thomas Elsaesser, Noel King and Alexander Horwath
Subject: Countries > United States
> On a related topic:
Selling Hollywood to the World (2007)
Us and European Struggles for Mastery of the Global Film Industry, 1920-1950
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