Les livres en français sont sur www.livres-cinema.info
MENU   

The Routledge Companion to European Cinema

Sous la direction de Gábor Gergely et Susan Hayward

Type
Studies
Sujet
CountriesEurope
Mots Clés
Europe
Année d'édition
2024 (May 26, 2024)
1ere édition
2021
Editeur
Routledge
Collection
Routledge Media and Cultural Studies Companions
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback • 484 pages
6 ¾ x 9 ½ inches (17 x 24 cm)
ISBN
978-1-032-13671-4
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Signaler des informations incorrectes ou incomplètes

Description de l'ouvrage:
Presenting new and diverse scholarship, this wide-ranging collection of 43 original chapters asks what European cinema tells us about Europe.

The book engages with European cinema that attends to questions of European colonial, racialized and gendered power; seeks to decentre Europe itself (not merely its putative centres); and interrogate Europe’s various conceptualizations from a variety of viewpoints. It explores the broad, complex and heterogeneous community/ies produced in and by European films, taking in Kurdish, Hollywood and Singapore cinema as comfortably as the cinema of Poland, Spanish colonial films or the European gangster genre. Chapters cover numerous topics, including individual films, film movements, filmmakers, stars, scholarship, representations and identities, audiences, production practices, genres and more, all analysed in their context(s) so as to construct an image of Europe as it emerges from Europe’s film corpus.

The Companion opens the study of European cinema to a broad readership and is ideal for students and scholars in film, European studies, queer studies and cultural studies, as well as historians with an interest in audio-visual culture, nationalism and transnationalism, and those working in language-based area studies.

À propos des auteurs :
Gábor Gergely is Senior Lecturer in Film Studies at the University of Lincoln, UK. He has published on Hungarian, French and Italian cinema, on European actors in Hollywood and he is the editor of the Stardom special issue of Studies in Eastern European Cinema.

Susan Hayward is Emerita Professor of Cinema Studies at Exeter University, UK. She is the author of several books on French cinema and Cinema Studies: The Key Concepts (now in its sixth edition).

Voir le site internet de l'éditeur Routledge

> Des mêmes auteurs :

Cinema Studies:The Key Concepts

Cinema Studies (2022)

The Key Concepts

de Susan Hayward

Sujet : Theory

Film Ecology:Defending the Biosphere - Doughnut Economics and Film Theory and Practice

Film Ecology (2021)

Defending the Biosphere - Doughnut Economics and Film Theory and Practice

de Susan Hayward

Sujet : Theory

Ecology Documentaries:Their Function and Value Seen Through the Lens of Doughnut Economics

Ecology Documentaries (2021)

Their Function and Value Seen Through the Lens of Doughnut Economics

de Susan Hayward

Sujet : Genre > Documentary

Hungarian Film 1929 - 1947:National Identity, Anti-Semitism and Popular Cinema

Hungarian Film 1929 - 1947 (2017)

National Identity, Anti-Semitism and Popular Cinema

de Gábor Gergely

Sujet : Countries > Europe

Foreign Devils:Exile and Host Nation in Hollywood's Golden Age

Foreign Devils (2013)

Exile and Host Nation in Hollywood's Golden Age

de Gábor Gergely

Sujet : Countries > United States

French Costume Drama of the 1950s:Fashioning Politics in Film

French Costume Drama of the 1950s (2010)

Fashioning Politics in Film

de Susan Hayward

Sujet : Countries > France

> Sur un thème proche :

11749 livres recensés   •   (c)2024-2025 cinemabooks.info   •