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How Film Histories Were Made
Materials, Methods, Discourses
Sous la direction de Malte Hagener et Yvonne Zimmermann
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Description de l'ouvrage:
This book is specifically dedicated to film history's own history: It provides insights into the fabrication of film histories and the discourses on their materials and methods in the past in order to better understand and reconsider film history today. The interventions unpack unspoken assumptions and hidden agendas that determine film historiography until today, also with the aim to act as a critical reflection on the potential future orientation of the field. The edited volume proposes a transnational, entangled and culturally diverse approach towards an archaeology of film history, while paying specific attention to persons, objects, infrastructures, regions, institutional fields and events hitherto overlooked. It explores past and ongoing processes of doing, undoing and redoing film history. Thereby, in a self-reflective gesture, it also draws attention to our own work as film historians.
À propos des auteurs :
Malte Hagener is Professor of Media and Film Studies at Philipps-Universität Marburg, Germany. His publications include (with Thomas Elsaesser) Film Theory. An Introduction through the Senses (Routledge 2010, 2nd revised edition 2015). He is the co-editor of Handbuch Filmanalyse (Wiesbaden: Springer 2020; with Volker Pantenburg) and the editor of The Emergence of Film Culture. Knowledge Production, Institution Building and the Fate of the Avant-garde in Europe, 1919-1945. London: Berghahn 2014.
Yvonne Zimmermann is Professor of Media Studies at Philipps-University Marburg. Recent books include the co-authored Advertising and the Transformation of Screen Cultures>/cite> (AUP 2021) and the co-edited Films That Work Harder: The Global Circulations of Industrial Cinema (AUP 2023). She is the editor of a special issue on Asta Nielsen, the film star system and the introduction of the long feature film in Early Popular Visual Culture (2021).
Voir le site internet de l'éditeur Amsterdam University Press
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An Introduction through the Senses
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> Sur un thème proche :
Mysteries of Cinema (2018)
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Cinema's Conversion to Sound (2005)
Technology and Film Style in France and the U.S.
Sujet : History of Cinema
The Image in Early Cinema (2018)
Form and Material
de Scott Curtis, Tom Gunning, Philippe Gauthier et Joshua Yumibe
Sujet : Silent Cinema
A Dictionary of Film Studies (2020)
de Annette Kuhn et Guy Westwell
Sujet : On Films > Guides and dictionaries
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