Les livres en français sont sur www.livres-cinema.info
A Cinema Without Walls
Movies and Culture after Vietnam
(0 vote)Moyenne des votes :
| 0 | vote |  = On peut s'en passer |
| 0 | vote |  = Bon livre |
| 0 | vote |  = Excellent livre |
| 0 | vote |  = Unique / une référence |
Votre vote : -
Description de l'ouvrage:
"One of the sharpest and most productive analyses of our contemporaneity and the place of cinema within it and of our new historical relations as spectators to the imaginary universe on the movie screen. This is a study that will be of intense interest to film theorists and historians, cultural critics, mass media analysts, and anyone concerned with the complicated place of culture in our world today."--Dana Polan, English and Film Studies, University of Pittsburgh
How have modern advertising techniques, the widespread use of VCRs, conglomerate takeovers of studios and film archives, cable TV, and media coverage of the Vietnam war changed the ways we watch movies? And how, in turn, have those different habits and patterns of viewing changed the ways in which films address their viewers? Drawing on a wide variety of American and European films and on many theoretical models, Timothy Corrigan investigates what he calls "a cinema without walls," taking a close look at particular films in order to see how we watch them differently in the post-Vietnam era. He examines cult audiences, narrative structure, genre films (road movies, in particular), and contemporary politics as they engage new models of film making and viewing. He thus provides a rare, serious attempt to deal with contemporary movies. Corrigan discusses filmmakers from a variety of backgrounds and cultures, including Martin Scorsese, Raoul Ruiz, Michael Cimino, Alexander Kluge, Francis Ford Coppola, Stephen Frears, and Wim Wenders. He offers detailed analyses of films such as Platoon; Full Metal Jacket; 9-1/2 Weeks; The Singing Detective; Choose Me; After Hours; Badlands; The King of Comedy; Paris, Texas; and My Beautiful Laundrette. Orchestrating this diversity, Corrigan provides a critical basis for making sense of contemporary film culture and its major achievements.
À propos de l'auteur :
TIMOTHY CORRIGAN is a professor of English and film at Temple University. He is the author of Writing about Film and New German Film: The Displaced Image, and editor of The Films of Werner Herzog: Between Mirage and History.
Revue de Presse:
"One of the sharpest and most productive analyses of our contemporaneity and the place of cinema within it and of our new historical relations as spectators to the imaginary universe on the movie screen. This is a study that will be of intense interest to film theorists and historians, cultural critics, mass media analysts, and anyone concerned with the complicated place of culture in our world today."
— Dana Polan
Voir le site internet de l'éditeur Rutgers University Press
> Du même auteur :
The Global Road Movie (2018)
Alternative Journeys around the World
Dir. José Duarte et Timothy Corrigan
Sujet : On Films > Film selections
The Films of Werner Herzog (2016)
Between Mirage and History
Dir. Timothy Corrigan
Sujet : Director > Werner Herzog
American Cinema of the 2000s (2012)
Themes and Variations
Dir. Timothy Corrigan
Sujet : On Films > Per period
> Sur un thème proche :
Radical Reality (2025)
Documentary Storytelling and the Global Fight for Social Justice
de Caty Borum et David Conrad-Pérez
Sujet : Sociology
Doing Sociology Through Film and Literature (2025)
Imaginings of the Social World
de John Goodwin et Laurie Parsons
Sujet : Sociology
Sexualised Masculinity (2025)
Men's Bodies in 21st Century Media Culture
de John Mercer et Clarissa Smith
Sujet : Sociology
Retour
