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Re-envisaging the First Age of Cinematic Horror, 1896-1934
Quanta of Fear
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Description de l'ouvrage:
This is a ground-breaking study, which reveals and emphasises the formative and innovative power of film from Georges Méliès’s Manoir du Diable (1896) to Edgar G. Ulmer’s superbly reflexive The Black Cat (1934). Focusing on twenty-two key films, and referencing other relevant productions, this book involves an inclusive and sensitive approach. It reveals an awareness of the heterogeneity of horror production with the discussion spanning the period of the invention of movies, the expansion from single-reelers to longer and continuous productions, and the advent of talkies.
Voir le site internet de l'éditeur University of Wales Press
> Sur un thème proche :
Grand-Guignol Cinema and the Horror Genre (2023)
Sinister Tableaux of Dread, Corporeality and the Senses
Shocking Representation (2005)
Historical Trauma, National Cinema, and the Modern Horror Film
Gaelic Games on Film (2019)
From silent films to Hollywood hurling, horror and the emergence of Irish cinema
de Seán Crosson
The Politics of Monstrous Figures in Contemporary Cinema (2025)
Witches, Zombies, and Cyborgs Re-enchanting the Ends of the World
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