Theorizing Stephen King
Sous la direction de Michael Blouin
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Description de l'ouvrage:
Readers of all stripes will find something to appreciate in this collection, which illuminates how King’s horror literature as a media form has shifted in relation to cultural understandings over time. Many chapters touch upon how surrounding texts, such as film/TV adaptations, have played into these mediations throughout King’s storied career. For the first-time reader of King, this volume offers a doorway into his works: an array of exciting critical frameworks with which to make sense of King’s fictional universe. For literary critics, this volume argues that King’s corpus remains a site for robust intellectual inquiry. And for all of us, the book provides an occasion—one that is long overdue—to rethink King’s relationship to critical theory as well as his legacy as a major American author. While it may prove impossible to reconcile King and the academy, we might nonetheless explore the evolution of their inescapable bond in hopes of negotiating a greater understanding between them.
À propos de l'auteur :
Michael J. Blouin, PhD is a professor of English and Humanities at Milligan University. His recent publications include Democracy and the American Gothic (2024), Stephen King and American Politics(2021) and Stephen King and American History (2020). Blouin's primary research interests are horror, popular culture, and critical theory.
Voir le site internet de l'éditeur Amsterdam University Press
> Sur un thème proche :
Stephen King Films FAQ (2014)
All That's Left to Know About the King of Horror on Film
The Literary Monster on Film (2010)
Five Nineteenth Century British Novels and Their Cinematic Adaptations
Agatha Christie and Gothic Horror (2024)
Adaptations and Televisuality
Count Dracula Goes to the Movies (2017)
Stoker's Novel Adapted
Now a Terrifying Motion Picture! (2012)
Twenty-Five Classic Works of Horror Adapted from Book to Film
Sixties Shockers (2025)
A Critical Filmography of Horror Cinema, 1960-1969
de Mark Clark et Bryan Senn
The Politics of Monstrous Figures in Contemporary Cinema (2025)
Witches, Zombies, and Cyborgs Re-enchanting the Ends of the World