Chinese Cinema
Identity, Power, and Globalization
Sous la direction de Jeff Kyong-McClain, Russell Meeuf et Jing Jing Chang
Moyenne des votes :
0 | vote | ![]() |
0 | vote | ![]() |
0 | vote | ![]() |
0 | vote | ![]() |
Votre vote : -
Description de l'ouvrage:
A pioneer investigation of Chinese cinema and the Chinese film industry.
In Chinese Cinema: Identity, Power, and Globalization, a variety of scholars explore the history, aesthetics, and politics of Chinese cinema as the Chinese film industry grapples with its place as the second-largest film industry in the world. Exploring the various ways that Chinese cinema engages with global politics, market forces, and film cultures, this edited volume places Chinese cinema against an array of contexts informing the contours of Chinese cinema today. The book also demonstrates that Chinese cinema in the global context is informed by the intersections and tensions found in Chinese and world politics, national and international co-productions, the local and global in representing Chineseness, and the lived experiences of social and political movements versus screened politics in Chinese film culture.
Voir le site internet de l'éditeur Hong Kong University Press
> Livres ayant un titre identique ou proche :
> Des mêmes auteurs :
Projecting the World (2017)
Representing the "Foreign" in Classical Hollywood
Dir. Russell Meeuf et Anna Cooper
Sujet : Sociology
> Sur un thème proche :
Economy, Emotion, and Ethics in Chinese Cinema (2017)
Globalization on Speed
China's Encounter with Global Hollywood (2016)
Cultural Policy and the Film Industry, 1994-2013
de Wendy Su
Playing to the World's Biggest Audience (2007)
The Globalization of Chinese Film and TV
Working the System (2023)
Motion Picture, Filmmakers, and Subjectivities in Mao-Era China, 1949–1966
de Qiliang He
From May Fourth to June Fourth (1993)
Fiction and Film in Twentieth-Century China
Dir. Ellen Widmer et David Der-wei Wang