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Women Filmmakers and the Visual Politics of Transnational China in the #Metoo Era

by Gina Marchetti

Type
Studies
Subject
CountriesChina
Keywords
China, women, director, censorship, politics
Publishing date
2023
Publisher
Amsterdam University Press
Collection
Critical Asian Cinemas
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover • 400 pages
6 ¼ x 9 ¼ inches (16 x 23.5 cm)
ISBN
978-94-6372-835-5
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Book Presentation:
Manoeuvring around mainland China’s censors and pushing back against threats of lawsuits, online harassment, and physical violence, #MeToo activists shed a particularly harsh light on the treatment of women in the cinema and entertainment industries. Focusing on films from the People’s Republic of China, Hong Kong, Taiwan, and the Chinese diaspora, this book considers how female directors shape Chinese visual politics through the depiction of the look, the stare, the leer, the glare, the glimpse, the glance, the queer and the oppositional gaze in fiction and documentary filmmaking. In the years leading up to and following in the wake of #MeToo, these cosmopolitan women filmmakers offer innovative angles on body image, reproduction, romance, family relations, gender identity, generational differences, female sexuality, sexual violence, sex work, labor migration, career options, minority experiences, media access, feminist activism and political rights within the rapidly changing Chinese cultural orbit.

About the Author:
Gina Marchetti serves as Chair of Humanities and Media Studies, Pratt Institute. Her books include Romance and the "Yellow Peril" Race, Sex and Discursive Strategies in Hollywood Fiction (California, 1993) and Citing China: Politics, Postmodernism, and World Cinema (Hawai'i, 2018).

See the publisher website: Amsterdam University Press

> From the same author:

Citing China:Politics, Postmodernism, and World Cinema

Citing China (2020)

Politics, Postmodernism, and World Cinema

by Gina Marchetti

Subject: Sociology

Chinese Connections:Critical Perspectives on Film, Identity, and Diaspora

Chinese Connections (2009)

Critical Perspectives on Film, Identity, and Diaspora

Dir. Tan See-Kam, Peter X. Feng and Gina Marchetti

Subject: Countries > China

From Tian'anmen to Times Square:Transnational China and the Chinese Diaspora on Global Screens, 1989-1997

From Tian'anmen to Times Square (2006)

Transnational China and the Chinese Diaspora on Global Screens, 1989-1997

by Gina Marchetti

Subject: Countries > China

Romance and the

Romance and the "Yellow Peril" (1994)

Race, Sex, and Discursive Strategies in Hollywood Fiction

by Gina Marchetti

Subject: Sociology

> On a related topic:

Vulgar Beauty:Acting Chinese in the Global Sensorium

Vulgar Beauty (2022)

Acting Chinese in the Global Sensorium

by Mila Zuo

Subject: Countries > China

Victims, Perpetrators and Professionals:The Representation of Women in Chinese Crime Films

Victims, Perpetrators and Professionals (2021)

The Representation of Women in Chinese Crime Films

by Tingting Hu

Subject: Countries > China

Sounding the Modern Woman:The Songstress in Chinese Cinema

Sounding the Modern Woman (2015)

The Songstress in Chinese Cinema

by Jean Ma

Subject: Countries > China

Warrior Women:Gender, Race, and the Transnational Chinese Action Star

Warrior Women (2015)

Gender, Race, and the Transnational Chinese Action Star

by Lisa Funnell

Subject: Countries > China

Chinese Women's Cinema:Transnational Contexts

Chinese Women's Cinema (2011)

Transnational Contexts

Dir. Lingzhen Wang

Subject: Countries > China

Women Through the Lens:Gender and Nation in a Century of Chinese Cinema

Women Through the Lens (2008)

Gender and Nation in a Century of Chinese Cinema

by Shuqin Cui

Subject: Countries > China

Main Melody Films:Hong Kong Directors in Mainland China

Main Melody Films (2022)

Hong Kong Directors in Mainland China

by Stephen Yiu-Wai Chu

Subject: Countries > China

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