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Movie Mavens
US Newspaper Women Take on the Movies, 1914-1923
Edited by Richard Abel
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Book Presentation:
An anthology of women's writing from the early era of film
During the early era of cinema, moviegoers turned to women editors and writers for the latest on everyone's favorite stars, films, and filmmakers. Richard Abel returns these women to film history with an anthology of reviews, articles, and other works. Drawn from newspapers of the time, the selections show how columnists like Kitty Kelly, Mae Tinee, Louella Parsons, and Genevieve Harris wrote directly to female readers. They also profiled women working in jobs like scenario writer and film editor and noted the industry's willingness to hire women. Sharp wit and frank opinions entertained and informed a wide readership hungry for news about the movies but also about women on both sides of the camera. Abel supplements the texts with hard-to-find biographical information and provides context on the newspapers and silent-era movie industry as well as on the professionals and films highlighted by these writers.
An invaluable collection of rare archival sources, Movie Mavens reveals women's essential contribution to the creation of American film culture.
About the Author:
Richard Abel is a professor emeritus of international cinema and media studies at the University of Michigan. His recent books include Menus for Movie Land: Newspapers and the Emergence of American Film Culture, 1913-1916, and Motor City Movie Culture, 1916-1925. He is also the coeditor of Barbara C. Hodgdon’s writings, Ghostly Fragments and the 2017 winner of the Jean Mitry Award.
Press Reviews:
"With a scholar's knack for detail, Abel provides context for this crucial period of cinema history. An illuminating combination of scholarship and nostalgia." --Library Journal
"Juxtaposing biographical information found through archival research with samples of film criticism transcribed from local papers, Abel throws a much-needed light on the female columnists who originally mediated the pictures for a mass audience increasingly defined by young women and girls." --Nineteenth Century Theatre and Film
See the publisher website: University of Illinois Press
> From the same author:
Our Country/Whose Country? (2024)
Early Westerns and Travel Films as Stories of Settler Colonialism
by Richard Abel
Subject: Countries > United States
Menus for Movieland (2015)
Newspapers and the Emergence of American Film Culture 1913-1916
by Richard Abel
Subject: Silent Cinema
Early Cinema and the National (2008)
Dir. Richard Abel, Giorgio Bertellini and Rob King
Subject: Silent Cinema
Americanizing the Movies and Movie-Mad Audiences (2006)
1910-1914
by Richard Abel
Subject: Silent Cinema
French Film Theory and Criticism 1907-1939 (1988)
vol.1: 1907-1929 - vol. 2: 1929-1939
by Richard Abel
> On a related topic:
Seeing the American Woman, 1880–1920 (2011)
The Social Impact of the Visual Media Explosion
by Katherine H. Adams, Michael L. Keene and Jennifer C. Koella
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Movie-Struck Girls (2000)
Women and Motion Picture Culture After the Nickelodeon
Subject: Silent Cinema
Decades Never Start on Time (2014)
A Richard Roud Anthology
by Richard Roud, Michael Temple and Karen Smolens
Subject: On Films > Movie magazines
Film Makers (2024)
15 Groundbreaking Women Directors
by Lyn Miller-Lachmann and Tanisia Moore
Subject: On Films > Guides and dictionaries
Military Women in World Cinema (2023)
A 20th Century History and Filmography
by Deborah A. Deacon and Stacy Fowler
Subject: On Films > Characters
The New Heroines in Film and Television (2023)
Post-Jungian Perspectives on Contemporary Female Characters
Subject: On Films > Characters
A Century in Uniform (2020)
Military Women in American Films
by Stacy Fowler and Deborah A. Deacon
Subject: On Films > Characters
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