Les livres en français sont sur www.livres-cinema.info
MENU   

Seeing the American Woman, 1880–1920

The Social Impact of the Visual Media Explosion

de Katherine H. Adams, Michael L. Keene et Jennifer C. Koella

Type
Studies
Sujet
Sociology
Mots Clés
women, early cinema, sociology
Année d'édition
2011
Editeur
McFarland & Co
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback • 243 pages
6 x 9 inches (15 x 23 cm)
ISBN
978-0-7864-6661-0
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Signaler des informations incorrectes ou incomplètes

Description de l'ouvrage:
From 1880 to 1920, the first truly national visual culture developed in the United States as a result of the completion of the Pacific Railroad. Women, especially young and beautiful ones, found new lives shaped by their participation in that visual culture. This rapidly evolving age left behind the “cult of domesticity” that reigned in the nineteenth century to give rise to new “types” of women based on a single feature—a type of hair, skin, dress, or prop—including the Gibson Girl, the sob sister, the stunt girl, the hoochy-coochy dancer, and the bearded lady. Exploring both high and low culture, from the circus and film to newspapers and magazines, this work examines depictions of women at the dawn of “mass media,” depictions that would remain influential throughout the twentieth century.

À propos des auteurs :
Katherine H. Adams is a professor emerita of the Department of English at Loyola University New Orleans.
Michael L. Keene is a professor emeritus of English at the University of Tennessee Knoxville. Jennifer C. Koella lectures at the University of Tennessee, Knoxville.

Revue de Presse:
"Valuable"—Journal of American Studies.

Voir le site internet de l'éditeur McFarland & Co

> Sur un thème proche :

Movie-Struck Girls:Women and Motion Picture Culture After the Nickelodeon

Movie-Struck Girls (2000)

Women and Motion Picture Culture After the Nickelodeon

de Shelley Stamp

Sujet : Silent Cinema

Bad Women:Regulating Sexuality in Early American Cinema

Bad Women (1995)

Regulating Sexuality in Early American Cinema

de Janet Staiger

Sujet : Silent Cinema

Girls' Hairstories:Resilience and Sparkle in Contemporary Screen Cultures

Girls' Hairstories (2025)

Resilience and Sparkle in Contemporary Screen Cultures

de Fiona Handyside

Sujet : Sociology

Sustainable Resilience in Women's Film and Video Organizations:A Counter-Lineage in Moving Image History

Sustainable Resilience in Women's Film and Video Organizations (2024)

A Counter-Lineage in Moving Image History

de Rosanna Maule

Sujet : Sociology

Women and Home in Cinema:Form, Feeling, Practice

Women and Home in Cinema (2024)

Form, Feeling, Practice

de Louise Radinger Field

Sujet : Sociology

Women's Work in Post-war Italy:An Oral and Filmic History

Women's Work in Post-war Italy (2023)

An Oral and Filmic History

de Flora Derounian

Sujet : Sociology

Mothers on American Television:From Here to Maternity

Mothers on American Television (2023)

From Here to Maternity

de Kim Akass

Sujet : Sociology

The Value Gap:Female-Driven Films from Pitch to Premiere

The Value Gap (2023)

Female-Driven Films from Pitch to Premiere

de Courtney Brannon Donoghue

Sujet : Sociology

Screening #MeToo:Rape Culture in Hollywood

Screening #MeToo (2022)

Rape Culture in Hollywood

Dir. Lisa Funnell et Ralph Beliveau

Sujet : Sociology

11749 livres recensés   •   (c)2024-2025 cinemabooks.info   •