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Small Nation, Global Cinema
The New Danish Cinema
by Mette Hjort
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Book Presentation:
Small Nation, Global Cinema engages the effects of globalization from the perspective of small nations. Focusing her study on the specific cultural context of the international film market, Mette Hjort argues that the New Danish Cinema presents an opportunity to understand the effects of globalization within the culture and economy of a privileged small nation.
Hjort offers two key strategies underwriting the transformation and globalization of contemporary Danish cinema—the processes of cultural circulation and the psychological efficacy of heritage. Exploring the Dogma 95 movement initiated by Lars von Trier and Thomas Vinterberg as well as films by Erik Clausen, Gabriel Axel, Henning Carlsen, and Ole Bornedal, among others, Hjort examines means for cinematic globalization specific to Denmark, but then evolves her investigation into a truly comparative framework encompassing references to Hong Kong, Latin America, and Hollywood filmmaking. Providing a fresh way of looking at cultural influence in the era of globalization, Hjort’s concept of “small” nation points as much to the dynamics of recognition, indifference, and participation as it does to more common measures of population size, economic strength, or linguistic reach.
About the Author:
Mette Hjort is professor of intercultural studies at Aalborg University.
See the publisher website: University of Minnesota Press
> From the same author:
The Danish Directors 3 (2014)
Dialogues on the New Danish Documentary Cinema
Dir. Mette Hjort, Ib Bondebjerg and Eva Novrup Redvall
The Danish Directors 2 (2010)
Dialogues on the New Danish Fiction Cinema
Dir. Mette Hjort, Eva Jørholt and Eva Novrup Redvall
Danish Directors (2001)
Dialogues on a Contemporary National Cinema
Dir. Mette Hjort and Ib Bondebjerg
> On a related topic:
A History of Danish Cinema (2021)
Dir. C. Claire Thomson, Isak Thorsen and Pei-Sze Chow
Short Films from a Small Nation (2018)
Danish Informational Cinema 1935–1965
Visions and Victims (2024)
Art Melodrama in the Films of Carl Th. Dreyer
Subject: Director > Carl Theodor Dreyer
Cinematography of Carl Theodor Dreyer (2018)
Performative Camerawork, Transgressing the Frame
Subject: Director > Carl Theodor Dreyer
Scandinavian Blue (2010)
The Erotic Cinema of Sweden and Denmark in the 1960s and 1970s
Subject: Genre > Porn films
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