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Sur un thème proche :
Visions and Victims (2024)
Art Melodrama in the Films of Carl Th. Dreyer
Sujet : Director > Carl Theodor Dreyer
Motion Picture and Video Lighting (2018)
for cinematographers, gaffers and lighting technicians
de Blain Brown
Cinematography of Carl Theodor Dreyer
Performative Camerawork, Transgressing the Frame
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Description de l'ouvrage:
Legendary Danish filmmaker Carl Theodor Dreyer (3 February 1889-20 March 1968) was born in Copenhagen to a single mother, Josefine Bernhardine Nilsson, a Swede. His Danish father, Jens Christian Torp, a married farmer, employed Nilsson as a housekeeper. After spending his first two years in orphanages, Dreyer was adopted by Carl Theodor Dreyer, a typographer, and his wife, Inger Marie Dreyer. He was given his adoptive father’s name. At age 16, he renounced his adoptive parents and worked his way into the film industry as a journalist, title card writer, screenwriter, and director. Throughout his career he concealed his birth name and the details of his upbringing and his adult private life, which included a period in which he explored his homosexual orientation and endured a nervous breakdown. Despite his relatively small output of fourteen feature films and seven documentary short films, 1919-64, he is considered one of the greatest filmmakers in history because of the diversity of his subjects, themes, techniques, and styles, and the originality of the bold visual grammar he mastered. In Cinematography of Carl Theodor Dreyer: Performative Camerawork, Transgressing the Frame, I argue: 1) that Dreyer, an anonymous orphan, an unsourced subject, manufactured his individuality through filmmaking, self-identifying by shrouding himself in the skin of film, and 2) that, as a screenwriter-director who blocked entire feature films in his imagination in advance—sets, lighting, photography, shot breakdowns, editing—and imposed his vision on camera operators, lighting directors, actors, and crews in production, he saw filmmaking essentially as camerawork and he directed in the style of a performative cinematographer.
À propos de l'auteur :
Paul Matthew St. Pierre is a retired professor from the Department of English at Simon Fraser University.
Voir le site internet de l'éditeur Fairleigh Dickinson University Press
Voir la filmographie complète de Carl Theodor Dreyer sur le site IMDB ...
> Du même auteur :
Cinematography in the Weimar Republic (2018)
Lola Lola, Dirty Singles, and the Men Who Shot Them
Music Hall Mimesis in British Film, 1895-1960 (2009)
On the Halls on the Screen
Sujet : Countries > Great Britain
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