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Ruptures and Continuities in Soviet/Russian Cinema
Styles, characters and genres before and after the collapse of the USSR
Sous la direction de Birgit Beumers et Eugenie Zvonkine
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Description de l'ouvrage:
This book, based on extensive original research, examines how far the collapse of the Soviet Union represented a threshold that initiated change or whether there are continuities which gradually reshaped cinema in the new Russia. The book considers a wide range of films and film-makers and explores their attitudes to genre, character and aesthetic style. The individual chapters demonstrate that, whereas genres shifted and characters developed, stylistic choices remained largely unaffected.
À propos des auteurs :
Birgit Beumers is Professor of Film Studies at Aberystwyth University. Eugénie Zvonkine is an Associate Professor of Cinema at the University of Paris 8.
Voir le site internet de l'éditeur Routledge
> Des mêmes auteurs :
The Cinema of Russia and the Former Soviet Union (2007)
Dir. Birgit Beumers
Sujet : Countries > Russia / USSR
> Sur un thème proche :
Kino (1983)
A History of the Russian and Soviet Film, with a New PostScript and a Filmography Brought Up to the Present
de Jay Leyda
Sujet : Countries > Russia / USSR
Cinepaternity (2010)
Fathers and Sons in Soviet and Post-Soviet Film
Dir. Helena Goscilo et Yana Hashamova
Sujet : Countries > Russia / USSR
The Zero Hour (1992)
Glasnost and Soviet Cinema in Transition
de Andrew Horton et Michael Brashinsky
Sujet : Countries > Russia / USSR
The Film Factory (2015)
Russian and Soviet Cinema in Documents 1896-1939
Dir. Richard Taylor et Ian Christie
Sujet : Countries > Russia / USSR
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