Books in French are on www.livres-cinema.info
Queer Bergman
Sexuality, Gender, and the European Art Cinema
(0 vote)Average rating:
| 0 | rating |  = We can do without |
| 0 | rating |  = Good book |
| 0 | rating |  = Excellent book |
| 0 | rating |  = Unique / a reference |
Your rating: -
Book Presentation:
One of the twentieth century’s most important filmmakers—indeed one of its most important and influential artists—Ingmar Bergman and his films have been examined from almost every possible perspective, including their remarkable portrayals of women and their searing dramatizations of gender dynamics. Curiously however, especially considering the Swedish filmmaker’s numerous and intriguing comments on the subject, no study has focused on the undeniably queer characteristics present throughout this nominally straight auteur’s body of work; indeed, they have barely been noted.
Queer Bergman makes a bold and convincing argument that Ingmar Bergman’s work can best be thought of as profoundly queer in nature. Using persuasive historical evidence, including Bergman’s own on-the-record (though stubbornly ignored) remarks alluding to his own homosexual identifications, as well as the discourse of queer theory, Daniel Humphrey brings into focus the director’s radical denunciation of heteronormative values, his savage and darkly humorous deconstructions of gender roles, and his work’s trenchant, if also deeply conflicted, attacks on homophobically constructed forms of patriarchic authority. Adding an important chapter to the current discourse on GLBT/queer historiography, Humphrey also explores the unaddressed historical connections between post–World War II American queer culture and a concurrently vibrant European art cinema, proving that particular interrelationship to be as profound as the better documented associations between gay men and Hollywood musicals, queer spectators and the horror film, lesbians and gothic fiction, and others.
See the publisher website: University of Texas Press
> From the same author:
Archaic Modernism (2020)
Queer Poetics in the Cinema of Pier Paolo Pasolini
Subject: Director > Pier Paolo Pasolini
> On a related topic:
Powers of the Real (2019)
Cinema, Gender, and Emotion in Interwar Japan
Queering Contemporary French Popular Cinema (2009)
Images and Their Reception
The Routledge Companion to European Cinema (2024)
Dir. Gábor Gergely and Susan Hayward
Music, Authorship, Narration, and Art Cinema in Europe (2024)
1940s to 1980s
Dir. Michael Baumgartner and Ewelina Boczkowska
Science on Screen and Paper (2024)
Media Cultures and Knowledge Production in Cold War Europe
Dir. Mariana Ivanova and Juliane Scholz
Back
