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Kore-Eda Hirokazu
by Marc Yamada
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Films like Shoplifters and After the Storm have made Kore-eda Hirokazu one of the most acclaimed auteurs working today. Critics often see Kore-eda as a director steeped in the Japanese tradition defined by Yasujirō Ozu. Marc Yamada, however, views Kore-eda's work in relation to the same socioeconomic concerns explored by other contemporary international filmmakers. Yamada reveals that a type of excess, not the minimalism associated with traditional aesthetics, defines Kore-eda's trademark humanism. This excess manifests in small moments when a desire for human connection exceeds the logic of the institutions and policies formed by the neoliberal values that have shaped modern-day Japan. As Yamada shows, Kore-eda captures the shared spaces formed by bodies that move, perform, and assemble in ways that express the humanistic impulse at the core of the filmmaker's expanding worldwide appeal.
See the publisher website: University of Illinois Press
See the complete filmography of Hirokazu Kore-Eda on the website: IMDB ...
> From the same author:
Locating Heisei in Japanese Fiction and Film (2021)
The Historical Imagination of the Lost Decades
by Marc Yamada
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