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The Trickster in Contemporary Film

by Helena Bassil-Morozow

Type
Studies
Subject
Sociology
Keywords
sociology
Publishing date
2011
Publisher
Routledge
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 208 pages
6 ¼ x 9 ½ inches (16 x 24 cm)
ISBN
978-0-415-57466-2
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Book Presentation:
This book discusses the role of the trickster figure in contemporary film against the cultural imperatives and social issues of modernity and postmodernity, and argues that cinematic tricksters always reflect psychological, economic and social change in society. It covers a range of films, from Charlie Chaplin’s classics such as Modern Times (1936) and The Great Dictator (1940) to contemporary comedies and dramas with ‘trickster actors’ such as Jim Carrey, Sacha Baron-Cohen, Andy Kaufman and Jack Nicholson.

The Trickster in Contemporary Film offers a fresh perspective on the trickster figure not only in cinema but in Western culture in general. Alongside original film analyses, it touches upon a number of psychosocial issues including sovereignty of the individual, tricksterish qualities of the media, and human relationships in the mercurial digital age.

Further topics of discussion include:


common motifs in trickster narratives
the trickster and personal relationships gonzo-trickster and the art of comic insurrection.
Employing a number of complementary approaches such as Jungian psychology, film semiotics, narrative structure theories, Victor Turner’s concept of liminality and Mikhail Bakhtin’s theory of the carnivalesque, this book is essential reading for students and scholars of film, as well as anyone with an interest in analytical psychology and wider critical issues in contemporary culture.

About the Author:
Helena Bassil-Morozow has been teaching Film, Drama and Literature in various further education institutions and in private practice for over seven years. Currently she is an honorary research fellow of the Research Institute for Media Art and Design, University of Bedfordshire. She is the author of Tim Burton: The Monster and the Crowd (Routledge, 2010).

Press Reviews:
"This book surprises us and gratifies us with its scope, its detail and how, like the trickster himself, it challenges our beliefs about the function of popular culture." - Christopher Hauke, Senior Lecturer, Goldsmiths, University of London.

See the publisher website: Routledge

> From the same author:

The New Heroines in Film and Television:Post-Jungian Perspectives on Contemporary Female Characters

The New Heroines in Film and Television (2023)

Post-Jungian Perspectives on Contemporary Female Characters

by Helena Bassil-Morozow

Subject: On Films > Characters

Jungian Film Studies:The essential guide

Jungian Film Studies (2016)

The essential guide

by Helena Bassil-Morozow and Luke Hockley

Subject: Theory

Tim Burton:The Monster and the Crowd: A Post-Jungian Perspective

Tim Burton (2010)

The Monster and the Crowd: A Post-Jungian Perspective

by Helena Bassil-Morozow

Subject: Director > Tim Burton

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