Understanding Animation
by Paul Wells
Average rating:
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
Your rating: -
Book Presentation:
First Published in 1998. Understanding Animation is a comprehensive introduction to animated film, from cartoons to computer animation. Paul Wells' insightful account of a critically neglected but increasingly popular medium:
* explains the defining characteristics of animation as a cinematic form
* outlines different models and methods which can be used to interpret and evaluate animated films
* traces the development of animated film around the world, from Betty Boop to Wallace and Gromit.
Part history, part theory, and part celebration, Understanding Animation includes:
* notes towards a theory of animation
* an explanation of animation's narrative strategies
* an analyis of how comic events are constructed
* a discussion of representation, focusing on gender and race
* primary research on animation and audiences.
Paul Wells' argument is illustrated with case studies, including Daffy Duck in Chuck Jones' Duck Amuck, Jan Svankmajer's Jabberwocky, Tex Avery's Little Rural Riding Hood and King Size Canary ', and Nick Park's Creature Comforts. Understanding Animation demonstrates that the animated film has much to tell us about ourselves, the cultures we live in, and our view of art and society.
About the Author:
Paul Wells is Subject Leader in Media Studies at De Montfort University in Leicester.
See the publisher website: Routledge
> From the same author:
American Film and Politics from Reagan to Bush Jr (2002)
Dir. Philip Davies and Paul Wells
Subject: Countries > United States
> On a related topic:
Story Structure and Development (2025)
A Guide for Animators, VFX Artists, Game Designers, and XR Creators
The Animator's Survival Kit (2021)
Dialogue, Directing, Acting and Animal Action
The Animator's Survival Kit (2021)
Flexibility and Weight
The Animator's Survival Kit (2021)
Runs, Jumps and Skips
Rotoscoping (2011)
Techniques and Tools for the Aspiring Artist
Pixar and the Aesthetic Imagination (2017)
Animation, Storytelling, and Digital Culture
by Eric Herhuth