Animation
Genre and Authorship
by Paul Wells
Average rating:
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
Your rating: -
Book Presentation:
"Animation: Genre and Authorship" is an overview of the distinctive language of animation, its production processes, and the particular questions about who makes it, under what conditions and with what purpose. Arguably, animation provides the greatest opportunity for distinctive models of "auteurism" and revises generic categories. This is the first study to look specifically at these issues, and to challenge the prominence of live action movie-making as the first form of contemporary cinema and visual culture. Including extensive analysis of individual animators and their operation within studios such as Disney and Dreamworks, the book investigates the use of animation in genres from horror and science fiction to documentary and propaganda.
About the Author:
Paul Wells is head of the media portfolio at the University of Teesside, UK, with special interests in animation and broadcasting.
See the publisher website: Wallflower Press
> Books with the same or similar title:
> From the same author:
American Film and Politics from Reagan to Bush Jr (2002)
Dir. Philip Davies and Paul Wells
Subject: Countries > United States
> On a related topic:
Rediscovered Classics of Japanese Animation (2025)
The Adaptation of Children's Novels into the World Masterpiece Theater Series
The Life and Times of Betty Boop (2023)
The 100-Year History of an Animated Icon
Cultural Guide to Anime and Manga (2023)
by Pamela Gossin and Marc Hairston
Contemporary Hollywood Animation (2023)
Style, Storytelling, Culture and Ideology Since the 1990s
by Noel Brown