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Sur un thème proche :

Malaysian Cinema in the New Millennium:Transcendence beyond Multiculturalism

Malaysian Cinema in the New Millennium (2022)

Transcendence beyond Multiculturalism

de Adrian Yuen Beng Lee

Sujet : Countries > Southeast Asia

Alluring Monsters:The Pontianak and Cinemas of Decolonization

Alluring Monsters (2021)

The Pontianak and Cinemas of Decolonization

de Rosalind Galt

Sujet : Countries > Southeast Asia

Reclaiming Adat:Contemporary Malaysian Film and Literature

Reclaiming Adat (2006)

Contemporary Malaysian Film and Literature

de Gaik Cheng Khoo

Sujet : Countries > Southeast Asia

Beyond the BBFC:Local and regional film censorship in the UK

Beyond the BBFC (2025)

Local and regional film censorship in the UK

de Sian Barber

Sujet : Countries > Great Britain

Adult Themes:British Cinema and the X Certificate in the Long 1960s

Adult Themes (2025)

British Cinema and the X Certificate in the Long 1960s

Dir. Anne Etienne, Benjamin Halligan et Christopher Weedman

Sujet : Countries > Great Britain

Proibito!:A History of Italian Film Censorship, 1913–2021

Proibito! (2023)

A History of Italian Film Censorship, 1913–2021

de Roberto Curti

Sujet : Countries > Italy

Made in Censorship:The Tiananmen Movement in Chinese Literature and Film

Made in Censorship (2022)

The Tiananmen Movement in Chinese Literature and Film

de Thomas Chen

Sujet : Countries > China

Film Censorship in the Asia-Pacific Region

Malaysia, Hong Kong and Australia Compared

de Saw Tiong Guan

Type
Studies
Sujet
CountriesSoutheast Asia
Mots Clés
censorship, Australia, Malaysia, Hong Kong
Année d'édition
2015
1ere édition
2013
Editeur
Routledge
Collection
Routledge Advances in Asia-Pacific Studies
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback • 208 pages
6 ¼ x 9 ½ inches (16 x 24 cm)
ISBN
978-1-138-95041-2
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Description de l'ouvrage:
Film censorship has always been a controversial matter, particularly in jurisdictions with restrictive state-based censorship systems. This book reviews the film censorship system in the Asia-Pacific by comparing the systems used in Malaysia, Hong Kong and Australia. It identifies the key issues and concerns that arise from the design and implementation of the system by examining the censorship laws, policies, guidelines and processes. The book evaluates film practitioners’ and censors’ opinion of, and experience in, dealing with those issues, and goes on to develop reform proposals for the film censorship system.

À propos de l'auteur :
Saw Tiong Guan currently teaches at the Faculty of Law at the University of Malaya, Malaysia. He is also an independent film director and producer.

Voir le site internet de l'éditeur Routledge

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