Les livres en français sont sur www.livres-cinema.info
Mobility and Migration in Film and Moving Image Art
Cinema Beyond Europe
(0 vote)Moyenne des votes :
| 0 | vote |  = On peut s'en passer |
| 0 | vote |  = Bon livre |
| 0 | vote |  = Excellent livre |
| 0 | vote |  = Unique / une référence |
Votre vote : -
Description de l'ouvrage:
Mobility and Migration in Film and Moving Image Art explores cinematic and artistic representations of migration and mobility in Europe since the 1990s. Drawing on theories of migrant and diasporic cinema, moving-image art, and mobility studies, Bayraktar provides historically situated close readings of films, videos, and cinematic installations that concern migratory networks and infrastructures across Europe, the Middle East, and Africa. Probing the notion of Europe as a coherent entity and a borderless space, this interdisciplinary study underscores the ways European ideals of mobility and fluidity are deeply enmeshed with immobility, forced migration, illegalization, and xenophobia. With a specific focus on diverse forms of mobility such as labor migration, postcolonial migration, refugee mobilities, and tourism, Bayraktar studies the new counter-hegemonic imaginations invoked by the work of filmmakers such as Ayşe Polat, Fatih Akin, Michael Haneke, and Tony Gatlif as well as video essays and installations of artists such as Kutluğ Ataman, Ursula Biemann, Maria Iorio and Raphaël Cuomo, and Ergin Çavuşoğlu. Challenging aesthetic boundaries as well as national, cultural, and political ones, the works central to this book envision Europe as a diverse, inclusive, and unfixed continent that is reimagined from many elsewheres well beyond its borders.
À propos de l'auteur :
Nilgün Bayraktar is an Assistant Professor in the Visual Studies Program at the California College of the Arts. She received her PhD in Performance Studies with a Designated Emphasis in Film & Media Studies from University of California, Berkeley. Her research focuses on transnational cinema, migratory aesthetics, film/video installations, site-specific art, new media, and performance.
Revue de Presse:
"This is a strong new scholarly voice that will change how we think about European cinema, migration, and the way we conceptualize the relationship between film and screen-based art. Rigorous and sophisticated, Nilgün Bayraktar offers us an elegant tour de force of by-now canonical films of European minority cinema and intriguing video essays and screen-based installations art about mobility into and within Europe." -- Barbara Mennel, University of Florida, USA
"The book’s focus on experimental films and video installations, which engage with migration and other forms of transnational mobility but which have so far received less scholarly attention than the feature films of Europe’s diasporic auteurs, makes it a most welcome and important addition to the field of transnational cinema and moving image studies." - Daniela Berghahn, Royal Holloway, University of London, UK
Voir le site internet de l'éditeur Routledge
> Sur un thème proche :
Frontiers of Screen History (2013)
Imagining European Borders in Cinema, 1945-2010
Screening Strangers (2010)
Migration and Diaspora in Contemporary European Cinema
Music, Authorship, Narration, and Art Cinema in Europe (2024)
1940s to 1980s
Science on Screen and Paper (2024)
Media Cultures and Knowledge Production in Cold War Europe
Dir. Mariana Ivanova et Juliane Scholz
Retour
