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Postcolonial Film

History, Empire, Resistance

Edited by Rebecca Weaver-Hightower and Peter Hulme

Type
Studies
Subject
Sociology
Keywords
colonialism
Publishing date
2018
1st publishing
2014
Publisher
Routledge
Collection
Routledge Advances in Film Studies
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 338 pages
6 ¼ x 9 ½ inches (16 x 24 cm)
ISBN
978-1-138-54849-7
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Book Presentation:
Postcolonial Film: History, Empire, Resistance examines films of the later twentieth and early twenty-first centuries from postcolonial countries around the globe. In the mid twentieth century, the political reality of resistance and decolonization lead to the creation of dozens of new states, forming a backdrop to films of that period. Towards the century’s end and at the dawn of the new millennium, film continues to form a site for interrogating colonization and decolonization, though against a backdrop that is now more neo-colonial than colonial and more culturally imperial than imperial. This volume explores how individual films emerged from and commented on postcolonial spaces and the building and breaking down of the European empire. Each chapter is a case study examining how a particular film from a postcolonial nation emerges from and reflects that nation’s unique postcolonial situation. This analysis of one nation’s struggle with its coloniality allows each essay to investigate just what it means to be postcolonial.

About the authors:
Rebecca Weaver-Hightower is an Associate Professor of English specializing in postcolonial studies at the University of North Dakota. She is author of Empire Islands: Castaways, Cannibals and Fantasies of Conquest (2007), Frontier Fictions: Settler Sagas and the Origins of Postcolonial White Guilt (in progress), and Associate Editor of The Journal Of Commonwealth and Postcolonial Studies. Peter Hulme is a Professor in Literature at the University of Essex and author, most recently, of Cuba’s Wild East: A Literary Geography of Oriente. He is Assistant Editor of the journal Studies in Travel Writing.

Press Reviews:
"This volume of essays brilliantly creates the groundwork for a truly international discussion. Film and its centrality to the ongoing colonial and postcolonial debates in and between countries across the globe is its focus. The many scholarly and accessible essays here will open readers’ eyes to the truly global reach of film, and to the urgency of creating equitable postcolonial cultures." – Lyn McCredden, Deakin University, Australia

"This collection of essays engages with traditional discourses in postcolonial studies in the light of recent developments pertaining to globalization, a post-9/11 security planet, Islamic terrorism, infra-nationalisms, and intense nomadism of populations. It is long awaited." – Anustup Basu, University of Illinois at Urbana-Champaign, USA

See the publisher website: Routledge

> From the same authors:

Cinematic Settlers:The Settler Colonial World in Film

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The Settler Colonial World in Film

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