Books in French are on www.livres-cinema.info
MENU   

Media Independence

Working with Freedom or Working for Free?

Edited by James Bennett and Niki Strange

Type
Studies
Subject
Economics
Keywords
economics, politics
Publishing date
2018
1st publishing
2014
Publisher
Routledge
Collection
Routledge Research in Cultural and Media Studies
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 44 pages
6 ¼ x 9 ½ inches (16 x 24 cm)
ISBN
978-1-138-54845-9
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Report incorrect or incomplete information

Book Presentation:
Media independence is central to the organization, make-up, working practices and output of media systems across the globe. Often stemming from western notions of individual and political freedoms, independence has informed the development of media across a range of platforms: from the freedom of the press as the "fourth estate" and the rise of Hollywood’s Independent studios and Independent television in Britain, through to the importance of "Indy" labels in music and gaming and the increasing importance of independence of voice in citizen journalism. Media independence for many, therefore, has come to mean working with freedom: from state control or interference, from monopoly, from market forces, as well as freedom to report, comment, create and document without fear of persecution. However, far from a stable concept that informs all media systems, the notion of media independence has long been contested, forming a crucial tension point in the regulation, shape, size and role of the media around the globe.

Contributors including David Hesmondhalgh, Gholam Khiabany, José van Dijck, Hector Postigo, Anthony Fung, Stuart Allan and Geoff King demonstrate how the notion of independence has remained paramount, but contested, in ideals of what the media is for, how it should be regulated, what it should produce and what working within it should be like. They address questions of economics, labor relations, production cultures, ideologies and social functions.

About the authors:
James Bennett is Head of the Media Arts Department and Reader in Television & Digital Culture at Royal Holloway, University of London, UK.
Niki Strange is Research Fellow at University of Sussex, UK and runs her own digital media consultancy, Strange Digital, where she provides research, business development and strategy consulting for creative businesses and organizations.

Press Reviews:
"Bennett and Strange have assembled an original, wide-ranging interrogation of 'independence' as it is mobilized across media industries and national contexts. Together, the essays in this book breathe new life into this often-abused and misused term, making an impassioned case for protecting true independent vision and values in our media culture." - Jennifer Holt, Associate Professor of Film and Media Studies, University of California, Santa Barbara, USA

"Bennett and Strange’s collection impressively maps the varied sociopolitical, aesthetic, industrial and rhetorical meanings of 'media independence' even as it grounds the concept in rich case studies covering film, television, gaming, music, the Internet and more. Media Independence is an invaluable resource for thinking through the complex dynamics of creativity, work and industry across a range of contemporary national contexts. A must read." - Alisa Perren, Associate Professor in the Department of Radio-TV-Film, University of Texas at Austin, USA

See the publisher website: Routledge

> On a related topic:

Specworld:Folds, Faults, and Fractures  in Embedded Creator Industries

Specworld (2023)

Folds, Faults, and Fractures in Embedded Creator Industries

by John Thornton Caldwell

Subject: Economics

Films That Work Harder:The Circulation of Industrial Film

Films That Work Harder (2023)

The Circulation of Industrial Film

Dir. Vinzenz Hediger, Florian Hoof and Yvonne Zimmermann

Subject: Economics

The Post-Crash Decade of American Cinema:Wall Street, the “Mancession,” and the Political Construction of Crisis

The Post-Crash Decade of American Cinema (2021)

Wall Street, the “Mancession,” and the Political Construction of Crisis

by Ewa Kowal

Subject: Sociology

Chinese Cinema:Identity, Power, and Globalization

Chinese Cinema (2023)

Identity, Power, and Globalization

Dir. Jeff Kyong-McClain, Russell Meeuf and Jing Jing Chang

Subject: Countries > China

Southeast Asia on Screen:From Independence to Financial Crisis (1945-1998)

Southeast Asia on Screen (2020)

From Independence to Financial Crisis (1945-1998)

Dir. Gaik Cheng Khoo, Thomas Barker and Mary Ainslie

Subject: Countries > Southeast Asia

Transnational Korean Cinema:Cultural Politics, Film Genres, and Digital Technologies

Transnational Korean Cinema (2019)

Cultural Politics, Film Genres, and Digital Technologies

by Dal Yong Jin

Subject: Countries > Korea

The Flash of Capital:Film and Geopolitics in Japan

The Flash of Capital (2002)

Film and Geopolitics in Japan

by Eric Cazdyn

Subject: Countries > Japan

Filmonomics:Economists Discuss the Silver Screen

Filmonomics (2025)

Economists Discuss the Silver Screen

Dir. André de Palma and Luc Leruth

Subject: Economics

11749 books listed   •   (c)2024-2025 cinemabooks.info   •