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The Oxford Handbook of Film and Media Studies
(livre en anglais)
Sous la direction de Robert P. Kolker
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Description de l'ouvrage :
• Features twenty chapters by leading scholars and industry professionals
• Yields fresh perspectives on film and media in the U.S., Latin America, Asia, and the Middle East
• Presents an authoritative assessment of developments in the U.S. and abroad
Comprised of twenty chapters by leading scholars and industry professionals, The Oxford Handbook of Film and Media Studies yields fresh perspectives on film and media in the U.S., Latin America, Asia, and the Middle East. This wide-ranging compendium surveys such topics as the changing concept of "realism" in film, the European political documentary, genre theory, and more. Also exploring developments in media studies, this Handbook features chapters that thoroughly examine topics as diverse as copyright, globalization, television programming, video game genres, the ideologies of media, and movie-going in India. Comprehensive and in-depth, The Oxford Handbook of Film and Media Studies combines cutting-edge scholarship on cinema and media in their many forms to present an authoritative assessment of developments in the U.S. and abroad.
À propos de l'auteur :
Edited by Robert P. Kolker, Professor Emeritus of English, University of Maryland, College Park Robert P. Kolker, Professor Emeritus, University of Maryland, taught cinema studies for almost 50 years. He is author of A Cinema of Loneliness; The Extraordinary Image: Orson Welles, Alfred Hitchcock, Stanley Kubrick and the Reimagining of Cinema; Triumph over Containment: American Film in the 1950s; and Eyes Wide Shut: Stanley Kubrick and the Making his Final Film (with Nathan Abrams) and editor of 2001: A Space Odyssey: New Essays.
Voir le site internet de l'éditeur Oxford University Press
> Du même auteur :
Eyes Wide Shut (2019)
Stanley Kubrick and the Making of His Final Film
de Robert P. Kolker et Nathan Abrams
Sujet : Un Film > Eyes Wide Shut
> Sur un thème proche :
The Attractions of the Moving Image (2025)
Essays on History, Theory, and the Avant-Garde
de Tom Gunning
Sujet : Théorie
Towards a Film Theory from Below (2025)
Archival Film and the Aesthetics of the Crack-Up
de Jiri Anger
Sujet : Théorie
Cinema of/for the Anthropocene (2025)
Affect, Ecology, and More-Than-Human Kinship
Dir. Katarzyna Paszkiewicz et Andrea Ruthven
Sujet : Théorie
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