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Beyond the Essay Film:Subjectivity, Textuality and Technology

Beyond the Essay Film (2020)

Subjectivity, Textuality and Technology

Dir. Julia Vassilieva et Deane Williams

Sujet : Théorie

World Cinema and the Essay Film:Transnational Perspectives on a Global Practice

World Cinema and the Essay Film (2019)

Transnational Perspectives on a Global Practice

Dir. Brenda Hollweg et Igor Krstic

Sujet : Pays > Monde

The Essay Film:Dialogue, Politics, Utopia

The Essay Film (2016)

Dialogue, Politics, Utopia

Dir. Elizabeth Papazian et Caroline Eades

Sujet : Théorie

The Personal Camera:Subjective Cinema and the Essay Film

The Personal Camera (2009)

Subjective Cinema and the Essay Film

de Laura Rascaroli

Sujet : Théorie

The Essay Film

From Montaigne, After Marker (livre en anglais)

de Timothy Corrigan

Type
Etudes
Sujet
Genrecinéma indépendant
Mots Clés
film-essai
Année d'édition
2011
Editeur
Oxford University Press
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 256 pages
15,5 x 23,5 cm
ISBN
978-0-19-978170-6
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Description de l'ouvrage :
• Provides a global survey of an under-studied genre of cinema: the essay film
• Includes discussions of popular nonfiction films like Grizzly Man, The Fog of War, Seven Up, and The Gleaners and I
• Features over 70 illustrations from essay films from all over the world

Even though essay films have been a key practice since the 1950s, there is scant analysis about this form in English. Part of this is likely due to the inherent difficulty of definition. The films, which foreground subjectivity and adopt an explicit, personal approach to their subject matter, can look and feel very different from one another. Their coherence as a group, however, comes into focus when contextualized as part of the larger tradition from which they draw. By looking to the literary and philosophical lineage of the essay form, Corrigan brings new clarity to a practice that, arguably, is one of the most common and successful in contemporary film culture. The Essay Film situates its investigation in the literary tradition of essayists such as Montaigne, Barthes, and Huxley before moving to an expansive discussion of filmmakers such as Derek Jarman, Allan Clark, Werner Herzog, Harun Farocki, Chantal Akerman, Chris Marker, Errol Morris, Nanni Moretti, Agnès Varda, Ross McElwee, Abbas Kiarostami, Raoul Ruiz, Lynne Sachs, and Trinh T. Minh-ha.

À propos de l'auteur :
Timothy Corrigan, Professor of English and Cinema Studies, University of Pennsylvania Timothy Corrigan is a Professor of English, Cinema Studies, and History of Art at the University of Pennsylvania. His books include The Films of Werner Herzog, Writing About Film, New German Film: The Displaced Image, and A Cinema Without Walls.

Revue de Presse :
Winner of Katherine Singer Kovacs Prize 2012

Voir le site internet de l'éditeur Oxford University Press

> Livres ayant un titre identique ou proche :

The Essay Film:Dialogue, Politics, Utopia

The Essay Film (2016)

Dialogue, Politics, Utopia

Dir. Elizabeth Papazian et Caroline Eades

Sujet : Théorie

> Du même auteur :

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