Les livres en français sont sur www.livres-cinema.info
MENU   

This Side of Despair

How the Movies and American Life Intersected during the Great Depression (livre en anglais)

de Philip Hanson

Type
Etudes
Sujet
PaysEtats-Unis
Mots Clés
Etats-Unis, années 30, sociologie
Année d'édition
2008
Editeur
Fairleigh Dickinson University Press
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Relié • 247 pages
16 x 23,5 cm
ISBN
978-1-61147-355-1
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Signaler des informations incorrectes ou incomplètes

Description de l'ouvrage :
During the Great Depression, economic, political, and social crises converge with a rapidly expanding movie industry to create a product that offers a unique history of the period. The Depression crisis could suddenly revise one's identity. In The Grapes of Wrath, Tom Joad takes umbrage at brusque treatment from a gas station attendant. He reproves the man with the reminder, 'We ain't bums, you know.' This is a tricky piece of logic. The family is unemployed, has been evicted from their home, and is out on the road. They are pretty close to being bums. But the rapidity and unexpectedness of the transition has left them unprepared and incapable of admitting it. This moment in the film captures a transformation experienced by many others. Depression-era films uncover a collective consciousness and a collective unconsciousness over the effects the Depression was having on the American psyche. The power of the Depression to throw into question traditional institutions and behaviors in direct and indirect ways finds its way into the films of the period. Depression-era movies exist as a particular kind of record of the crisis and its effects on such diverse social elements as gender roles, racial constructions, the rise in the thirties of isolationism, escapist dreams of the period, and anxieties over the nature of capitalism itself. This book studies thirties films as a unique and sometimes camouflaged record of the great crisis. In no other period do films engage with the nation's sheer economic anxiety.

À propos de l'auteur :
Philip Hanson received his doctoral degree a the University of California, Berkeley. He is the Co-director of the American Studies Program at the University of San Francisco. His essays and short fiction have appeared in twenty periodicals, including Journal of American Studies, Gestos, The Cambridge Quarterly, The Berkeley Fiction Review, and Other Voices. This is his first book.

Voir le site internet de l'éditeur Fairleigh Dickinson University Press

> Sur un thème proche :

Transpacific Convergences:Race, Migration, and Japanese American Film Culture before World War II

Transpacific Convergences (2022)

Race, Migration, and Japanese American Film Culture before World War II

de Denise Khor

Sujet : Pays > Etats-Unis

A Divided World:Hollywood Cinema and Emigré Directors in the Era of Roosevelt and Hitler, 1933-1948

A Divided World (2011)

Hollywood Cinema and Emigré Directors in the Era of Roosevelt and Hitler, 1933-1948

de Nick Smedley

Sujet : Pays > Etats-Unis

Vixens, Floozies and Molls:28 Actresses of Late 1920s and 1930s Hollywood

Vixens, Floozies and Molls (2005)

28 Actresses of Late 1920s and 1930s Hollywood

de Hans J. Wollstein

Sujet : Pays > Etats-Unis

Imagining the American Death Penalty:The Cultural Work of Popular Visual Representations

Imagining the American Death Penalty (2025)

The Cultural Work of Popular Visual Representations

de Birte Christ

Sujet : Pays > Etats-Unis

Our Country/Whose Country?:Early Westerns and Travel Films as Stories of Settler Colonialism

Our Country/Whose Country? (2024)

Early Westerns and Travel Films as Stories of Settler Colonialism

de Richard Abel

Sujet : Pays > Etats-Unis

Was It Yesterday?:Nostalgia in Contemporary Film and Television

Was It Yesterday? (2022)

Nostalgia in Contemporary Film and Television

Dir. Matthew Leggatt

Sujet : Pays > Etats-Unis

11776 livres recensés   •   (c)2024-2025 cinemabooks.info   •