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Faces on Screen:New Approaches

Faces on Screen (2024)

New Approaches

Dir. Alice Maurice

Sujet : Théorie

Soviet Spectatorship:Observing the Body in Physical and Visual Culture

Soviet Spectatorship (2024)

Observing the Body in Physical and Visual Culture

de Samuel Goff

Sujet : Pays > Russie / URSS

The Flesh of Animation:Bodily Sensations in Film and Digital Media

The Flesh of Animation (2024)

Bodily Sensations in Film and Digital Media

de Sandra Annett

Sujet : Théorie

The Human Figure on Film:Natural, Pictorial, Institutional, Fictional

The Human Figure on Film (2024)

Natural, Pictorial, Institutional, Fictional

de Seth Barry Watter

Sujet : Sociologie

Fertile Visions:The Uterus as a Narrative Space in Cinema from the Americas

Fertile Visions (2023)

The Uterus as a Narrative Space in Cinema from the Americas

de Anne Carruthers

Sujet : Sociologie

Visceral Screens:Mediation and Matter in Horror Cinema

Visceral Screens (2023)

Mediation and Matter in Horror Cinema

de Allan Cameron

Sujet : Genre > Horreur

Body Genre:Anatomy of the Horror Film

Body Genre (2023)

Anatomy of the Horror Film

de David Scott Diffrient

Sujet : Genre > Horreur

Embodiment and Legal Theory

Law in Fifty Shades of Grey (livre en anglais)

de Kirsty Duncanson

Type
Etudes
Sujet
Un FilmCinquante nuances de Grey
Mots Clés
Sam Taylor-Johnson, corps, juridique
Année d'édition
2024 (11 décembre 2024)
Editeur
Routledge
Collection
Routledge Focus on Gender, Sexuality, and Comics
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Relié • 136 pages
15 x 24 cm
ISBN
978-0-367-33506-9
Appréciation
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Description de l'ouvrage :
This book addresses the importance of the body in legal theory, through an analysis of the film Fifty Shades of Grey.

As physical beings, we experience law in sensations of outrage when it is applied unethically, righteousness when it finds justice, and joy when it establishes partnerships in marriage. Our bodies feel and know law. In Embodiment and Legal Theory, it is argued that our bodies also theorise law. It is proposed that our bodies are involved in comprehending, negotiating, and reimagining the legal concepts that shape our lives. As a medium designed to engage us by stimulating our bodily reactions of tears, laughter, shock, and titillation, cinema provides an ideal site for exploring how bodies participate in legal arguments and the construction of legal meaning. For this reason, through a deep analysis of the film Fifty Shades of Grey (2015), this book presents a theory of embodied jurisprudence.

At the intersection of legal theory and film studies, this book will appeal to students and scholars in both these areas, as well as in criminology and cultural studies.

À propos de l'auteur :
Kirsty Duncanson is Senior Lecturer in Crime, Justice and Legal Studies in the Department of Social Inquiry at La Trobe University, Melbourne.

Voir le site internet de l'éditeur Routledge

Voir la fiche de Cinquante nuances de Grey (2015) sur le site IMDB ...

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