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Italian Gothic:An Edinburgh Companion

Italian Gothic (2023)

An Edinburgh Companion

Dir. Marco Malvestio et Stefano Serafini

Sujet : Genre > Horreur

Italian Horror Films of the 1960s:A Critical Catalog of 62 Chillers

Italian Horror Films of the 1960s (2004)

A Critical Catalog of 62 Chillers

de Lawrence McCallum

Sujet : Genre > Horreur

Bloodstained Narratives:The Giallo Film in Italy and Abroad

Bloodstained Narratives (2023)

The Giallo Film in Italy and Abroad

Dir. Matthew Edwards et Fernando Gabriel Pagnoni Berns

Sujet : Genre > Horreur

Supranational Horrors:Italian and Spanish Horror Cinema since 1968

Supranational Horrors (2022)

Italian and Spanish Horror Cinema since 1968

de Rui M. Trindade Oliveira

Sujet : Genre > Horreur

Agatha Christie and Gothic Horror:Adaptations and Televisuality

Agatha Christie and Gothic Horror (2024)

Adaptations and Televisuality

de Stuart Richards

Sujet : Genre > Horreur

A New Heritage of Horror:The English Gothic Cinema

A New Heritage of Horror (2024)

The English Gothic Cinema

de David Pirie

Sujet : Genre > Horreur

The Blaxploitation Horror Film:Adaptation, Appropriation and the Gothic

The Blaxploitation Horror Film (2023)

Adaptation, Appropriation and the Gothic

de Jamil Mustafa

Sujet : Genre > Horreur

Italian Gothic Horror Films, 1957–1969

(livre en anglais)

de Roberto Curti

Type
Etudes
Sujet
GenreHorreur
Mots Clés
horreur, Italie, gothic, années 50, années 60
Année d'édition
2015
Editeur
McFarland & Co
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 220 pages
18 x 25,5 cm
ISBN
978-0-7864-9437-8
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Description de l'ouvrage :
The “Gothic” style was a key trend in Italian cinema of the 1950s and 1960s because of its peculiar, often strikingly original approach to the horror genre. These films portrayed Gothic staples in a stylish and idiosyncratic way, and took a daring approach to the supernatural and to eroticism, with the presence of menacing yet seductive female witches, vampires and ghosts. Thanks to such filmmakers as Mario Bava (Black Sunday), Riccardo Freda (The Horrible Dr. Hichcock), and Antonio Margheriti (Castle of Blood), as well the iconic presence of actress Barbara Steele, Italian Gothic horror went overseas and reached cult status. The book examines the Italian Gothic horror of the period, with an abundance of previously unpublished production information drawn from official papers and original scripts. Entries include a complete cast and crew list, home video releases, plot summary and the author’s analysis. Excerpts from interviews with filmmakers, scriptwriters and actors are included. The foreword is by film director and scriptwriter Ernesto Gastaldi.

À propos de l'auteur :
Roberto Curti is an Italian film historian and the author of numerous published books and articles. He lives in Cortona, Italy.

Revue de Presse :
Book of the Year—Rondo Hatton Classic Horror Award
"the best book I’ve read on that subgenre…lovers of Italian Gothic horror film will find much to praise…an enjoyably precise, lovingly penned examination of a stylistic wave of cinema that didn’t live long, but endures in an afterlife thanks to digital media, fervid fans and, yes, texts like Curti’s"—Bookgasm
"passionately researched…every cinephile must read"—ARBA
"Curti writes with great passion on the subject, showing great knowledge"—Hellbound
"the best book I’ve read on that subgenre…a wealth of poster art and production stills exists to liven up the layout, as well as set mood"—Flick Attack

Voir le site internet de l'éditeur McFarland & Co

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