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Sur un thème proche :

Blood in the Streets:Histories of Violence in Italian Crime Cinema

Blood in the Streets (2019)

Histories of Violence in Italian Crime Cinema

de Austin Fisher

Sujet : Pays > Italie

Giallo!:Genre, Modernity, and Detection in Italian Horror Cinema

Giallo! (2021)

Genre, Modernity, and Detection in Italian Horror Cinema

de Alexia Kannas

Sujet : Pays > Italie

Bloodstained Narratives:The Giallo Film in Italy and Abroad

Bloodstained Narratives (2023)

The Giallo Film in Italy and Abroad

Dir. Matthew Edwards et Fernando Gabriel Pagnoni Berns

Sujet : Genre > Horreur

Fame Amid the Ruins:Italian Film Stardom in the Age of Neorealism

Fame Amid the Ruins (2025)

Italian Film Stardom in the Age of Neorealism

de Stephen Gundle

Sujet : Pays > Italie

The Celluloid Atlantic:Hollywood, Cinecittà, and the Making of the Cinema of the West, 1943–1973

The Celluloid Atlantic (2025)

Hollywood, Cinecittà, and the Making of the Cinema of the West, 1943–1973

de Saverio Giovacchini

Sujet : Pays > Italie

Traveling Auteurs:The Geopolitics of Postwar Italian Cinema

Traveling Auteurs (2024)

The Geopolitics of Postwar Italian Cinema

de Luca Caminati

Sujet : Pays > Italie

Giallo Cinema and Its Folktale Roots

A Critical Study of 10 Films, 1962–1987 (livre en anglais)

de Michael Sevastakis

Type
Etudes
Sujet
PaysItalie
Mots Clés
Italie, giallo, violence, sexe
Année d'édition
2016
Editeur
McFarland & Co
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 240 pages
15 x 23 cm
ISBN
978-0-7864-9501-6
Appréciation
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Description de l'ouvrage :
The Italian giallo film genre—the equivalent of the American whodunit but incorporating extreme violence and sex—was based on popular British and American fiction of the 30s and 40s, adapted to the explicitly liberal filmmaking of 1970s and 1980s Europe. Seldom released in American theaters, these films were usually distributed as redacted bootlegs, awaiting digital technology to be restored to their original content and pristine visual form.

This book analyzes the censored sex and violence of giallo films, finding in them an inherent beauty and tracing their literary antecedents to the elements of the fairy tale as described by Russian folklorist Vladimir Propp. Each chapter covers a film and its director, from 1962 to 1987. The author argues that despite their formulaic production and designation as “Euro-sleaze,” these films are works of individuality and artistic virtue.

À propos de l'auteur :
Michael Sevastakis has served as a full professor in the communication department at the College of Mt. St. Vincent in Riverdale, New York. He lives in Bronx, New York.

Revue de Presse :
"makes the case for the giallo’s artistic merit"—Flick Attack; "detailed, insightful, and intelligent"—Bookgasm.

Voir le site internet de l'éditeur McFarland & Co

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