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Screening Protest:Visual narratives of dissent across time, space and genre

Screening Protest (2018)

Visual narratives of dissent across time, space and genre

Dir. Alexa Robertson

Sujet : Sociologie

The American Worker on Film:A Critical History, 1909–1999

The American Worker on Film (2010)

A Critical History, 1909–1999

de Doyle Greene

Sujet : Sociologie

Policing Cinema:Movies and Censorship in Early-Twentieth-Century America

Policing Cinema (2004)

Movies and Censorship in Early-Twentieth-Century America

de Lee Grieveson

Sujet : Sociologie

Screening Social Justice:Brave New Films and Documentary Activism

Screening Social Justice (2023)

Brave New Films and Documentary Activism

de Sherry B. Ortner

Sujet : Genre > Documentaire

Mourning the Nation:Indian Cinema in the Wake of Partition

Mourning the Nation (2009)

Indian Cinema in the Wake of Partition

de Bhaskar Sarkar

Sujet : Pays > Inde

Women Labor Activists in the Movies

Nine Depictions of Workplace Organizers, 1954–2005 (livre en anglais)

de Jennifer L. Borda

Type
Etudes
Sujet
Sociologie
Mots Clés
politique, aspects sociaux
Année d'édition
2010
Editeur
McFarland & Co
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 240 pages
15 x 23 cm
ISBN
978-0-7864-4841-8
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Description de l'ouvrage :
Some of the most indelible images of women in recent American film have been of working women fighting for labor reform or to expose corporate corruption. This critical text explores films with female labor activists as main protagonists, illuminating issues of gender and class while depicting the challenges of working class women. Films covered include Salt of the Earth, Pajama Game, Union Maids, With Babies and Banners, Norma Rae, Silkwood, and Live Nude Girls Unite!

Through comparative analysis, the text examines the responses of these films to the labor and feminist movements of the last half century, and how American cinema has articulated notions of disempowerment, ambivalence and, at times, the resistance of both women and the working class at large.

À propos de l'auteur :
Jennifer L. Borda is an associate professor of communication at the University of New Hampshire. Her work has appeared in a number of academic journals and scholarly anthologies, including Text & Performance Quarterly, Women’s Studies in Communication, Feminist Media Studies and Communication Quarterly.

Revue de Presse :
"the author evaluates the rhetorical form and content of each film to determine how film structure and style, as well as story elements such as plot, character development, and setting, influence how the story gets told. She examines how films have played a role in shaping our ideas about the political impact and cultural significance of various social experiments, and how the cultural conversations produced by the media construct our ideas about women, social classes, and working-class culture"—Reference & Research Book News.

Voir le site internet de l'éditeur McFarland & Co

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