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Found Footage Horror Films
Fear and the Appearance of Reality (livre en anglais)
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Description de l'ouvrage :
As the horror subgenre du jour, found footage horror’s amateur filmmaking look has made it available to a range of budgets. Surviving by adapting to technological and cultural shifts and popular trends, found footage horror is a successful and surprisingly complex experiment in blurring the lines between quotidian reality and horror’s dark and tantalizing fantasies. Found Footage Horror Films explores the subgenre’s stylistic, historical and thematic development. It examines the diverse prehistory beyond Man Bites Dog (1992) and Cannibal Holocaust (1980), paying attention to the safety films of the 1960s, the snuff-fictions of the 1970s, and to television reality horror hoaxes and mockumentaries during the 1980s and 1990s in particular. It underscores the importance of The Blair Witch Project (1999) and Paranormal Activity (2007), and considers YouTube’s popular rise in sparking the subgenre’s recent renaissance.
À propos de l'auteur :
Alexandra Heller-Nicholas is a film critic and author of ten books on cult, horror and exploitation cinema with an emphasis on gender politics.
Revue de Presse :
"excellent addition to the shelves or tablets of any horror scholar"—Dead Reckonings; "his research is quite impressive"—Scarlet the Film Magazine; "definitive"—SFCrowsnest; "a gratifying, thorough and wide-in-scope look"—Flick Attack.
Voir le site internet de l'éditeur McFarland & Co
> Livres ayant un titre identique ou proche :
> Du même auteur :
The Giallo Canvas (2021)
Art, Excess and Horror Cinema
The Films of Elaine May (2019)
Dir. Alexandra Heller-Nicholas et Dean Brandum
Sujet : Réalisateur > Elaine May
> Sur un thème proche :
Horror and Science Fiction Cinema and Society (2024)
American Culture and Politics in the Cold War and After Through the Projector Lens
What Ought to Scare You (2024)
Affect and Hollywood Horror Discourses, 1922–1968
Monstrous Things (2022)
Essays on Ghosts, Vampires, and Things That Go Bump in the Night
Primal Roots of Horror Cinema (2019)
Evolutionary Psychology and Narratives of Fear
Fear Itself (2009)
Horror on Screen and in Reality During the Depression and World War II
Sixties Shockers (2025)
A Critical Filmography of Horror Cinema, 1960-1969
de Mark Clark et Bryan Senn
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