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Streaming Horrors:Essays on the Genre in the Digital Age

Streaming Horrors (2025)

Essays on the Genre in the Digital Age

Dir. Sotiris Petridis

Sujet : Genre > Horreur

Queer for Fear:Horror Film and the Queer Spectator

Queer for Fear (2024)

Horror Film and the Queer Spectator

de Heather O. Petrocelli

Sujet : Genre > Horreur

Broadening the Horror Genre:From Gaming to Paratexts

Broadening the Horror Genre (2024)

From Gaming to Paratexts

Dir. Jamie L. McDaniel et Andrea Wood

Sujet : Genre > Horreur

The Sinful Maternal:Motherhood in Possession Films

The Sinful Maternal (2024)

Motherhood in Possession Films

de Lauren Rocha

Sujet : Genre > Horreur

Horror and Science Fiction Cinema and Society:American Culture and Politics in the Cold War and After Through the Projector Lens

Horror and Science Fiction Cinema and Society (2024)

American Culture and Politics in the Cold War and After Through the Projector Lens

de Martin Harris

Sujet : Genre > Horreur

The Exorcist Effect:Horror, Religion, and Demonic Belief

The Exorcist Effect (2023)

Horror, Religion, and Demonic Belief

de Joseph P. Laycock et Eric Harrelson

Sujet : Genre > Horreur

Labors of Fear:The Modern Horror Film Goes to Work

Labors of Fear (2023)

The Modern Horror Film Goes to Work

Dir. Aviva Briefel et Jason Middleton

Sujet : Genre > Horreur

Found Footage Horror Films:A Cognitive Approach

Found Footage Horror Films (2020)

A Cognitive Approach

de Peter Turner

Sujet : Genre > Horreur

To See the Saw Movies

Essays on Torture Porn and Post–9/11 Horror (livre en anglais)

Sous la direction de James Aston et John Walliss

Type
Essais
Sujet
GenreHorreur
Mots Clés
horreur, cinéma pornographique, sociologie, 21e siècle
Année d'édition
2013
Editeur
McFarland & Co
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 208 pages
15 x 23 cm
ISBN
978-0-7864-7089-1
Appréciation
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Description de l'ouvrage :
The Saw films, often derided by critics as “torture porn” and an excuse to show blood and gore, are the highest-grossing horror series in cinema history. In view of their hold on audiences and their controversial content, they deserve study. This first collection of fresh essays by academic authors from Europe, America and Australia addresses the cultural, religious and philosophical facets of the films, investigating how the franchise reflects a post–9/11 shift in U.S. popular culture towards increasing pessimism and how it may be read as a metaphor for the “war on terror”; dissecting how the series explores such issues as freewill and determinism; assessing the films’ representations of the body; and applying a Deleuzian perspective to the franchise.

À propos des auteurs :
James Aston is director of studies for film at the University of Hull. He lives in Worcester, United Kingdom.
John Walliss is senior lecturer in criminology in the faculty of sciences and social sciences, Liverpool Hope University, UK.

Revue de Presse :
"an expansive, accessible collection of essays, an assembly that will be of significant interest to scholars engaged in the study of the history, philosophy, and criticism of the horror genre"—Journal of the Fantastic in the Arts.

Voir le site internet de l'éditeur McFarland & Co

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Hardcore Horror Cinema in the 21st Century:Production, Marketing and Consumption

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