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Second Takes

Remaking Film, Remaking America (livre en anglais)

de Andrew Repasky McElhinney

Type
Etudes
Sujet
Généralités
Mots Clés
remake, Etats-Unis, idéologie
Année d'édition
2013
Editeur
McFarland & Co
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 244 pages
15 x 23 cm
ISBN
978-0-7864-7761-6
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Description de l'ouvrage :
Second Takes presents the history of English language cinema by focusing on cinematic remakes and on how cinema has been replaced by new forms of “media.” Remakes, with their innate plurality, offer the most substance for concentrated cultural analysis of how movies reflect and shape American culture.

Analyzing the archetypes that recur in this culture reveals how movies are an increasingly dangerous surrogate for the actual.

Close readings are presented of such works as popular favorites as Cronenberg’s Crash, Disney’s The Parent Trap, Ferrara’s Bad Lieutenant, Hitchcock’s Psycho, Kubrick’s A Clockwork Orange, Lynch’s Twin Peaks (the film) and Welles’ The Magnificent Ambersons, while unearthing pictures ripe for rediscovery such as One More Tomorrow, Strange Illusion and Andy Warhol’s Vinyl.

Instructors considering this book for use in a course may request an examination copy here.

À propos de l'auteur :
Feature film director Andrew Repasky McElhinney is also an author, theater director, installation artist, repertory film programmer and educator. He currently teaches at Rutgers–The State University of New Jersey.

Voir le site internet de l'éditeur McFarland & Co

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