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Zombifying a Nation
Race, Gender and the Haitian Loas on Screen (livre en anglais)
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Description de l'ouvrage :
The figure of the zombie that entered the popular imagination with the publication of William Seabrook’s The Magic Island (1929)—during the American occupation of Haiti—still holds cultural currency around the world. This book calls for a rethinking of zombies in a sociopolitical context through the examination of several films, including White Zombie (1932), The Love Wanga (1935), I Walked with a Zombie (1943) and The Serpent and the Rainbow (1988). A 21st-century film from Haiti, Zombi candidat à la présidence … ou les amours d’un zombi, is also examined. A reading of Heading South (2005), a film about the female tourist industry in the Caribbean, explores zombification as a consumptive process driven by capitalism.
À propos de l'auteur :
Toni Pressley-Sanon is an assistant professor at Eastern Michigan University in Ypsilanti, Michigan.
Revue de Presse :
"The sociocultural and historical framework Pressley-Sanon structures her text on is one of the book’s many attractions, making it equally fascinating across disciplines…remarkable"—H-Net Reviews.
Voir le site internet de l'éditeur McFarland & Co
> Sur un thème proche :
Postracial Fantasies and Zombies (2024)
On the Racist Apocalyptic Politics Devouring the World
The Politics of Monstrous Figures in Contemporary Cinema (2025)
Witches, Zombies, and Cyborgs Re-enchanting the Ends of the World
The Post-Zombie (2025)
Essays on the Evolving Undead
Dir. C. Wylie Lenz, Angela Tenga et Kyle William Bishop
The Anthropocene and the Undead (2024)
Cultural Anxieties in the Contemporary Popular Imagination
Dir. Simon Bacon
Prepare for Zombies, Survive a Flood (2023)
Natural Disaster Lessons from Undead Cinema
Transnational Zombie Cinema, 2010 to 2020 (2023)
Readings in a Mutating Tradition
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