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Little Horrors
How Cinema's Evil Children Play on Our Guilt (livre en anglais)
de T.S. Kord
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Description de l'ouvrage :
Zombies, werewolves and chainsaw-wielding maniacs are tried-and-true staples of horror films. But none can match the visceral dread evoked by a child with an innocent face and a diabolical stare. Cinema’s evil children attack our cherished ideas of innocence and our innocent bystander status as the audience. A good horror film is a scary ride—a “devil child” movie is a guilt trip.
This book examines 24 international films—with discussions of another 100—that in effect “indict” viewers for crimes of child abuse and abandonment, greed, social and ecological negligence, and political and war crimes, and for persistent denial of responsibility for them all. For 75 years evil children have ritually rebuked audiences and, in playing on our guilt, established a horror subgenre that might be described as a blood-spattered rampage on an ethical mission.
À propos de l'auteur :
T.S. Kord is a professor, cultural historian, author of eight books and has received six major awards for her writing. She lives in London.
Voir le site internet de l'éditeur McFarland & Co
> Sur un thème proche :
The Psychodynamics of Trauma and Modern Horror Cinema (2025)
I Am What Haunts Me
The Cinematic Boogeyman (2024)
From the Fairytale to the Slasher Film
Affective Intensities and Evolving Horror Forms (2020)
From Found Footage to Virtual Reality
de Adam Daniel
Primal Roots of Horror Cinema (2019)
Evolutionary Psychology and Narratives of Fear
Dark Dreams 2.0 (2009)
A Psychological History of the Modern Horror Film from the 1950s to the 21st Century
Psycho, The Birds and Halloween (2013)
The Intimacy of Terror in Three Classic Films
Sujet : Un Film > Psychose, Les Oiseaux, La Nuit des masques
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