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Sur un thème proche :

Alternative Empires:European Modernist Cinemas and Cultures of Imperialism

Alternative Empires (2000)

European Modernist Cinemas and Cultures of Imperialism

de Martin Stollery

Sujet : Pays > Europe

Troubled Everyday:The Aesthetics of Violence and the Everyday in European Art Cinema

Troubled Everyday (2017)

The Aesthetics of Violence and the Everyday in European Art Cinema

de Alison Taylor

Sujet : Pays > Europe

Beyond the Subtitle:Remapping European Art Cinema

Beyond the Subtitle (2009)

Remapping European Art Cinema

de Mark Betz

Sujet : Pays > Europe

Screening Modernism:European Art Cinema, 1950-1980

Screening Modernism (2008)

European Art Cinema, 1950-1980

de András Bálint Kovács

Sujet : Pays > Europe

Beyond Auteurism:New Directions in Authorial Film Practices in France, Italy and Spain since the 1980s

Beyond Auteurism (2008)

New Directions in Authorial Film Practices in France, Italy and Spain since the 1980s

de Rosanna Maule

Sujet : Pays > Europe

The New European Cinema:Redrawing the Map

The New European Cinema (2006)

Redrawing the Map

de Rosalind Galt

Sujet : Pays > Europe

European Film Theory and Cinema:A Critical Introduction

European Film Theory and Cinema (2001)

A Critical Introduction

de Ian Aitken

Sujet : Pays > Europe

The Legacy of World War II in European Arthouse Cinema

(livre en anglais)

de Samm Deighan

Type
Etudes
Sujet
PaysEurope
Mots Clés
guerre, Europe, film d'art et essai, représentation, sociologie, politique
Année d'édition
2021
Editeur
McFarland & Co
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 237 pages
18 x 25,5 cm
ISBN
978-1-4766-8352-2
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Description de l'ouvrage :
World War II irrevocably shaped culture–and much of cinema–in the 20th century, thanks to its devastating, global impact that changed the way we think about and portray war. This book focuses on European war films made about the war between 1945 and 1985 in countries that were occupied or invaded by the Nazis, such as Poland, France, Italy, the Soviet Union, and Germany itself. Many of these films were banned, censored, or sharply criticized at the time of their release for the radical ways they reframed the war and rejected the mythologizing of war experience as a heroic battle between the forces of good and evil.

The particular films examined, made by arthouse directors like Pier Paolo Pasolini, Rainer Werner Fassbinder, and Larisa Shepitko, among many more, deviate from mainstream cinematic depictions of the war and instead present viewpoints and experiences of WWII which are often controversial or transgressive. They explore the often-complicated ways that participation in war and genocide shapes national identity and the ways that we think about bodies and sexuality, trauma, violence, power, justice, and personal responsibility–themes that continue to resonate throughout culture and global politics.

À propos de l'auteur :
Samm Deighan is a writer and critic based in Philadelphia, Pennsylvania.

Revue de Presse :
"An essential study of some of the most powerful and historically significant films ever made."—The Film Stage

Voir le site internet de l'éditeur McFarland & Co

> Du même auteur :

Revolution in 35mm:Political Violence and Resistance in Cinema from the Arthouse to the Grindhouse, 1960–1990

Revolution in 35mm (2024)

Political Violence and Resistance in Cinema from the Arthouse to the Grindhouse, 1960–1990

Dir. Andrew Nette et Samm Deighan

Sujet : Sociologie

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