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Hollywood Remaking:How Film Remakes, Sequels, and Franchises Shape Industry and Culture

Hollywood Remaking (2024)

How Film Remakes, Sequels, and Franchises Shape Industry and Culture

de Kathleen Loock

Sujet : Economie

The Franchise Era:Managing Media in the Digital Economy

The Franchise Era (2019)

Managing Media in the Digital Economy

Dir. James Fleury, Bryan Hikari Hartzheim et Stephen Mamber

Sujet : Economie

Coining for Capital:Movies, Marketing, and the Transformation of Childhood

Coining for Capital (2005)

Movies, Marketing, and the Transformation of Childhood

de Jyotsna Kapur

Sujet : Sociologie

Experiencing Music Video:Aesthetics and Cultural Context

Experiencing Music Video (2004)

Aesthetics and Cultural Context

de Carol Vernallis

Sujet : Sociologie

Mobile Hollywood:Labor and the Geography of Production

Mobile Hollywood (2024)

Labor and the Geography of Production

de Kevin Sanson

Sujet : Economie

A Portrait of the Auteur as Fanboy:The Construction of Authorship in Transmedia Franchises

A Portrait of the Auteur as Fanboy (2020)

The Construction of Authorship in Transmedia Franchises

de Anastasia Salter et Mel Stanfill

Sujet : Technique > Ecriture

How Star Wars Conquered the Universe:The Past, Present, and Future of a Multibillion Dollar Franchise

How Star Wars Conquered the Universe (2015)

The Past, Present, and Future of a Multibillion Dollar Franchise

de Chris Taylor

Sujet : Un Film > Star Wars

Who Makes the Franchise?

Essays on Fandom and Wilderness Texts in Popular Media (livre en anglais)

Sous la direction de Rhonda Knight et Donald Quist

Type
Essais
Sujet
Sociologie
Mots Clés
franchise, sociologie, économie
Année d'édition
2022
Editeur
McFarland & Co
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 264 pages
15 x 23 cm
ISBN
978-1-4766-8415-4
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Description de l'ouvrage :
Fans and the billion-dollar franchises in which they participate have together become powerful agents within popular culture. These franchises have launched avenues for fans to expand and influence the stories that they tell. This book examines those fan-driven narratives as “wilderness texts,” in which fans use their platforms to create for themselves while also communicating their visions to the franchises, thus spurring innovation.

The essays in this collection look at how fans intervene in the production of mass media. Scholars analyze the negotiations between fan desires for both novelty and familiarity that franchises must maintain in order to achieve critical and commercial success. Applying varying theoretical approaches to discussions of fan responses to franchises, including Star Wars, Marvel, Godzilla, Firefly, The Terminator, Star Trek, DC, and The Muppets, these essays provide insight into the ever-changing relationships between fandom and transmedia storytelling.

À propos des auteurs :
Rhonda Knight is a professor of English at Coker University in Hartsville, South Carolina, where she currently holds The James Wayne Lemke Endowed Chair in College Service and Leadership.
Donald Quist teaches writing at the University of Missouri in Columbia and is on the faculty at the Alma College MFA in Writing Program.

Voir le site internet de l'éditeur McFarland & Co

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