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Sound in the American Horror Film
(livre en anglais)
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Description de l'ouvrage :
The crack of thunder, a blood-curdling scream, creaking doors, or maybe complete silence. Sounds such as these have helped frighten and startle horror movie audiences for close to a century. Listen to a Universal classic like Dracula or Frankenstein and you will hear a very different soundtrack from contemporary horror films. So how did we get from there to here? What scared audiences then compared to now?
This examination of the horror film’s soundtrack builds on film sound and genre scholarship to demonstrate how horror, perhaps more than any other genre, utilizes sound to manipulate audience response. Beginning with the Universal pictures of the early 1930s and moving through the next nine decades, it explores connections and contrasts throughout the genre’s technical and creative evolution. New enthusiasts or veteran fans of such varied films as The Mummy, Cat People, The Day the Earth Stood Still, Psycho, Halloween, A Nightmare on Elm Street, Scream, The Conjuring, Paranormal Activity, and A Quiet Place will find plenty to explore, and perhaps a new sonic appreciation, within these pages.
À propos de l'auteur :
Jeffrey Bullins is a sound designer and educator living in Greensboro, North Carolina. He has worked in the sound department for several horror films and has written on various aspects of the genre.
Revue de Presse :
"The book offers important insights about the way sound—from effects to score to dialogue—functions in specific horror films to create specific effects for viewers, and about the way trends in sound design in American horror change over time."—Shelly Jarenski, associate professor of literature and author of Immersive Words: Mass Media, Visuality and American Literature, 1839–1893
Voir le site internet de l'éditeur McFarland & Co
> Sur un thème proche :
Uncanny Bodies (2007)
The Coming of Sound Film and the Origins of the Horror Genre
Making Stereo Fit (2024)
The History of a Disquieting Film Technology
Listening Deafly and the Rhetoric of Sound (2023)
Voice, Silence, and Listening in Hollywood Films
Listening With a Feminist Ear (2023)
Soundwork in Bombay Cinema
Audio Production Worktext (2022)
Concepts, Techniques, and Equipment
The Auditory Setting (2021)
Environmental Sounds in Film and Media Arts
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