Les livres en français sont sur www.livres-cinema.info
Sur un thème proche :
Film Actors Organize (2009)
Union Formation Efforts in America, 1912–1937
Sujet : Métiers et Formation
Actors Organize (2007)
A History of Union Formation Efforts in America, 1880–1919
Sujet : Métiers et Formation
Hollywood Boozers, Brawlers and Hard-Luck Cases (2025)
Fifteen Ill-Fated Actors of the Golden Age
de Laura Wagner
The Golden Hour (2025)
A Story of Family and Power in Hollywood
The Beginning or the End
How Hollywood - and America - Learned to Stop Worrying and Love the Bomb (livre en anglais)
(0 vote)Moyenne des votes :
| 0 | vote |  = On peut s'en passer |
| 0 | vote |  = Bon livre |
| 0 | vote |  = Excellent livre |
| 0 | vote |  = Unique / une référence |
Votre vote : -
Description de l'ouvrage :
The shocking and significant story of how the White House and Pentagon scuttled an epic Hollywood production.
Soon after atomic bombs exploded over Hiroshima and Nagasaki in 1945, MGM set out to make a movie studio chief Louis B. Mayer called the most important story he would ever film: a big budget dramatization of the Manhattan Project and the invention and use of the revolutionary new weapon.
Over at Paramount, Hal B. Wallis was ramping up his own film version. His screenwriter: the novelist Ayn Rand, who saw in physicist J. Robert Oppenheimer the model for a character she was sketching for Atlas Shrugged.
Greg Mitchell's The Beginning or the End chronicles the first efforts of American media and culture to process the Atomic Age. A movie that began as a cautionary tale inspired by atomic scientists aiming to warn the world against a nuclear arms race would be drained of all impact due to revisions and retakes ordered by President Truman and the military--for reasons of propaganda, politics, and petty human vanity (this was Hollywood).
Mitchell has found his way into the lofty rooms, from Washington to California, where it happened, unearthing hundreds of letters and dozens of scripts that show how wise intentions were compromised in favor of defending the use of the bomb and the imperatives of postwar politics. As in his acclaimed Cold War true-life thriller The Tunnels, he exposes how our implacable American myth-making mechanisms distort our history.
Retour
