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The Exploding Eye:A Re-Visionary History of 1960s American Experimental Cinema

The Exploding Eye (1997)

A Re-Visionary History of 1960s American Experimental Cinema

de Wheeler Winston Dixon

Sujet : Genre > Expérimental

Experimental Filmmaking and Punk:Feminist Audio Visual Culture in the 1970s and 1980s

Experimental Filmmaking and Punk (2021)

Feminist Audio Visual Culture in the 1970s and 1980s

de Rachel Garfield

Sujet : Genre > Expérimental

Scandinavian Blue:The Erotic Cinema of Sweden and Denmark in the 1960s and 1970s

Scandinavian Blue (2010)

The Erotic Cinema of Sweden and Denmark in the 1960s and 1970s

de Jack Stevenson

Sujet : Genre > Erotique

Cinemal:The Becoming-Animal of Experimental Film

Cinemal (2025)

The Becoming-Animal of Experimental Film

de Tessa Laird

Sujet : Genre > Expérimental

Films That Spill:Beyond the Cinema of Transgression

Films That Spill (2025)

Beyond the Cinema of Transgression

de Marie Sophie Beckmann

Sujet : Genre > Expérimental

Flesh Cinema PB

The Corporeal Turn in American Avant-Garde Film (livre en anglais)

de Ara Osterweil

Type
Etudes
Sujet
GenreExpérimental
Mots Clés
expérimental, années 60, années 70
Année d'édition
2014
Editeur
Manchester University Press
Collection
Rethinking Art's Histories
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 304 pages
16,5 x 24 cm
ISBN
978-0-7190-9191-9
Appréciation
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Description de l'ouvrage :
Flesh Cinema: The corporeal turn in American avant-garde cinema explores the groundbreaking representation of the body in experimental films of the 1960s and 1970s. Focusing on sexually explicit films by Andy Warhol, Barbara Rubin, Stan Brakhage, Carolee Schneemann, Yoko Ono and Paul Sharits, this book demonstrates how experimental cinema not only transformed American visual culture, but also the lives of those who created it. By situating these films in relation to the civil rights and sexual liberation movements, Flesh Cinema investigates how social politics continue to inform their meaning.

Drawing upon unpublished archival materials, this book provides a rich account of the intimate artistic collaborations that inspired these films. Merging close readings with historical and biographical analysis, Flesh Cinema argues that queer forms of friendship were essential to the innovative representations of bodies on-screen. In doing so, it provides a fresh take on avant-garde cinema for film and art scholars and students.

À propos de l'auteur :
Ara Osterweil is an Assistant Professor of Film and Cultural Studies in the English Department at McGill University

Voir le site internet de l'éditeur Manchester University Press

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