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Fields of View

Film, Art and Spectatorship (livre en anglais)

de A. L. Rees

Type
Essais
Sujet
GenreExpérimental
Mots Clés
avant-garde, théorie
Année d'édition
2020
Editeur
BFI Publishing
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 288 pages
15,5 x 23 cm
ISBN
978-1-83871-992-0
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Description de l'ouvrage :
Drawing on film theory, literary modernism, psychology and art history, Fields of View elucidates an expanded network of connections between avant-garde film and wider culture. In this bold and original work, A.L. Rees identifies three key terms - 'field', 'frame' and 'interval' and charts their use by filmmakers and theorists such as Dziga Vertov, Sergei Eisenstein, Bruce Baillie, Maya Deren, Malcolm Le Grice and Werner Nekes, from the 1920s through to the present day. A seminal voice in film culture, Rees left the incomplete manuscript for this book on his death, and Simon Payne has subsequently carefully prepared the book for publication. Fields of View is an important work that establishes a unique perspective on experimental film.

À propos de l'auteur :
A.L. Rees is Research Tutor at the Royal College of Art. He is the author of A History of Experimental Film and Video (bfi, 1999)A.L. Rees is Research Tutor at the Royal College of Art. He is the author of A History of Experimental Film and Video (bfi, 1999)

Voir le site internet de l'éditeur BFI Publishing

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