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Sur un thème proche :

To Free the Cinema:Jonas Mekas and the New York Underground

To Free the Cinema (1992)

Jonas Mekas and the New York Underground

Dir. David E. James

Sujet : Réalisateur > Jonas Mekas

Cinema Ann Arbor:How Campus Rebels Forged a Singular Film Culture

Cinema Ann Arbor (2023)

How Campus Rebels Forged a Singular Film Culture

de Frank Uhle

Sujet : Genre > Expérimental

Alternative Movie Posters: Film Art from the Underground

Alternative Movie Posters (2013)

Film Art from the Underground

de Matthew Chojnacki

Sujet : Les Films > Affiches

Subversion:The Definitive History of Underground Cinema

Subversion (2007)

The Definitive History of Underground Cinema

de Duncan Reekie

Sujet : Genre > Expérimental

Underground U.S.A.:Filmmaking Beyond the Hollywood Canon

Underground U.S.A. (2003)

Filmmaking Beyond the Hollywood Canon

Dir. Xavier Mendik et Steven Jay Schneider

Sujet : Pays > Etats-Unis

Stanley Kubrick:New York Jewish Intellectual

Stanley Kubrick (2020)

New York Jewish Intellectual

de Dr. Nathan Abrams

Sujet : Réalisateur > Stanley Kubrick

Reel Freedom:Black Film Culture in Early Twentieth-Century New York City

Reel Freedom (2025)

Black Film Culture in Early Twentieth-Century New York City

de Alyssa Lopez

Sujet : Sociologie

Dwoskino

The Gaze of Stephen Dwoskin (livre en anglais)

Sous la direction de Rachel Garfield et Henry K. Miller

Type
Etudes
Sujet
RéalisateurStephen Dwoskin
Mots Clés
Stephen Dwoskin, underground, New York
Année d'édition
2022
Editeur
LUX
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • ? pages
19 x 24 cm
ISBN
978-0-9928840-8-6
Appréciation
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Description de l'ouvrage :
Stephen Dwoskin (1939–2012) began his filmmaking career in the New York underground scene of the early 1960s, then moved to London in 1964, where he became a leading figure in avant-garde film, and was one of the founders of the London Filmmakers Co-operative (now LUX). His early works, such as Dyn Amo (1972), are synonymous with the male gaze. Laura Mulvey wrote that he ‘opened a completely new perspective for me on cinematic voyeurism’ and his work was a major influence on her influential work on the male gaze in cinema. From the mid-1970s, he focused his camera upon his own body, afflicted by polio during childhood, in such films as Behindert (1974) and Outside In (1981).

In the 1980s and ’90s, Dwoskin turned to making personal documentaries about disability and diaspora, including Ballet Black (1986) and the autobiographical Trying to Kiss the Moon (1994). Then in the 2000s, increasingly limited in his movements, but liberated from the demands of patrons, he returned to the underground, and to his erotic obsessions, making a series of digital works culminating in The Sun and the Moon (2008), described by Raymond Bellour as an ‘absolute masterpiece’.

Over the course of his half-century-long career, Dwoskin’s path crossed with those of J. G. Ballard, the Ballets Nègres, Bill Brandt, Gavin Bryars, Cosey Fanni Tutti, Ron Geesin, Yvonne Rainer, Carolee Schneemann, and Andy Warhol.

DWOSKINO. The Gaze of Stephen Dwoskin is the culmination of a three year research project, The Legacies of Stephen Dwoskin, at the University of Reading where his archive is housed. The book is a unique visual distillation of Dwoskin’s life and times, with hundreds of never-seen-before images taken from his archive, and texts by among others Laura Mulvey, Raymond Bellour, Raymond Durgnat, and Dwoskin himself.

Voir la filmographie complète de Stephen Dwoskin sur le site IMDB ...

> Des mêmes auteurs :

The First True Hitchcock:The Making of a Filmmaker

The First True Hitchcock (2022)

The Making of a Filmmaker

de Henry K. Miller

Sujet : Un Film > Les Cheveux d'or

Experimental Filmmaking and Punk:Feminist Audio Visual Culture in the 1970s and 1980s

Experimental Filmmaking and Punk (2021)

Feminist Audio Visual Culture in the 1970s and 1980s

de Rachel Garfield

Sujet : Genre > Expérimental

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