Les livres en français sont sur www.livres-cinema.info
Sin and Censorship
The Catholic Church and the Motion Picture Industry (livre en anglais)
de Frank Walsh
(0 vote)Moyenne des votes :
| 0 | vote |  = On peut s'en passer |
| 0 | vote |  = Bon livre |
| 0 | vote |  = Excellent livre |
| 0 | vote |  = Unique / une référence |
Votre vote : -
Description de l'ouvrage :
During World War I, the Catholic church blocked the distribution of government-sponsored V.D. prevention films, initiating an era of attempts by the church to censor the movie industry. This book is an entertaining and engrossing account of those efforts—how they evolved, what effect they had on the movie industry, and why they were eventually abandoned.
Frank Walsh tells how the church's influence in Hollywood grew through the 1920s and reached its peak in the 1930s, when the film industry allowed Catholics to dictate the Production Code, which became the industry's self-censorship system, and the Legion of Decency was established by the church to blacklist any films it considered offensive. With the industry's Joe Breen, a Catholic layman, cutting movie scenes during production and the Legion of Decency threatening to ban movies after release, the Catholic church played a major role in determining what Americans saw and didn't see on the screen during Hollywood's Golden Age.
Walsh provides fascinating details about the church's efforts to guard against anything it felt might corrupt moviegoers' morals: forcing Gypsy Rose Lee to change her screen name; investigating Frank Sinatra's fitness to play a priest in Miracle of the Bells; altering a dance sequence in Oklahoma; eliminating marital infidelity from Two-Faced Woman; compelling Howard Hughes to make 147 cuts in The Outlaw; blocking the distribution of Birth of a Baby; and attacking Asphalt Jungle for serving the "crooked purposes of the Soviet Union." However, notes Walsh, there were serious divisions within the church over film policy. Bishops feuded with one another over how best to deal with movie moguls, priests differed over whether attending a condemned film constituted a serious sin, and Legion of Decency reviewers disagreed over film evaluations. Walsh shows how the decline of the studio system, the rise of a new generation of better-educated Catholics, and changing social values gradually eroded the Legion's power, forcing the church eventually to terminate its efforts to control the type of film that Hollywood turned out. In an epilogue he relates this history of censorship to current efforts by Christian fundamentalists to end "sex, violence, filth, and profanity" in the media.
Voir le site internet de l'éditeur Yale University Press
> Sur un thème proche :
Hollywood Hates Hitler! (2020)
Jew-Baiting, Anti-Nazism, and the Senate Investigation Into Warmongering in Motion Pictures
Sujet : Histoire du cinéma
Freedom of the Screen (2008)
Legal Challenges to State Film Censorship, 1915-1981
Sujet : Histoire du cinéma
The Dame in the Kimono (2001)
Hollywood, Censorship, and the Production Code
de Leonard J. Leff et Jerold L. Simmons
Sujet : Histoire du cinéma
The Screen Censorship Companion (2024)
Critical Explorations in the Control of Film and Screen Media
Dir. Daniel Biltereyst et Ernest Mathijs
Sujet : Sociologie
Better Left Unsaid (2015)
Victorian Novels, Hays Code Films, and the Benefits of Censorship
de Nora Gilbert
Sujet : Sociologie
God on the Big Screen (2019)
A History of Hollywood Prayer from the Silent Era to Today
Sujet : Histoire du cinéma
Proibito! (2023)
A History of Italian Film Censorship, 1913–2021
Censoring Hollywood (2011)
Sex and Violence in Film and on the Cutting Room Floor
Retour
